
NY 'NY 'n why not
1999 | 4 min | Icons & Media Art
WALK / DON'T WALK / WALK. The rhythm of the nineties. A musical stroll along Christopher Street.


1999 | 4 min | Icons & Media Art
WALK / DON'T WALK / WALK. The rhythm of the nineties. A musical stroll along Christopher Street.

2004 | 101 min | Biography
A hospital in Berlin-Neukölln at midnight. A patient is being admitted. TV journalists are on the scene. The beginning of a story that tells itself. At the beginning of the film a dramatic story is suggested, which in the course of the film develops into a reflection on storytelling. The making of films and images itself comes into view. The handling of images is thematized, visualized and documented on several media narrative levels: from the making of the film (shooting) to the TV coverage of ...

2012 | 9 min | Icons & Media Art
A vertical solution to the Israeli-Palestinian conflict has been found for the political deadlock in the Middle East. Palestinians have their state in the form of a skyscraper. The building is called the NATION ESTATE. One colossal high-rise houses the entire Palestinian population – who are now finally living 'the high life'. Each city has its own floor: Jerusalem on the third floor, Ramallah on the fourth floor, Sansour’s native Bethlehem on the fifth and so on. Intercity trips previously marred ...

1997 | 22 min | Icons & Media Art
"The plots of this film are based on true events. Any resemblance to persons living or dead is not only intentional, but unavoidable. - The viewer also bears responsibility for the images that become public." (Michael Brynntrup) "Noted German experimental filmmaker Michael Brynntrup tantalizes us with his diaristic account of his many lovers. What seems at first to be an extended exercise in ego, gradually becomes a powerful social record of gay life in the years spanning gay liberation and the ...

2008 | 5 min | Icons & Media Art
A SPACE EXODUS is the first part of Larissa Sansour’s science fiction trilogy along with NATION ESTATE and IN THE FUTURE THEY ATE FROM THE FINEST PORCELAIN. Under the common themes of loss, belonging, heritage, and national identity, the three films each explore different aspects of the political turmoil the Middle East. Using the language of sci-fi and glossy production, Sansour’s trilogy presents a dystopian vision of a Middle East on the brink of the apocalypse. A SPACE EXODUS envisions the ...

1986 | 127 min | Icons & Media Art
A monumental feature film in 35 episodes, shot on Super8. The individual episodes retell the story of the New Testament and were made by a total of 22 filmmakers. The project's own history follows the story of Jesus Christ recruiting his apostles. The film's creator Michael Brynntrup is a central and controversial figure of Berlin's vivid independent community. His transgressive obsessions, as well as his ability to smuggle miles of Russian Super8 film-material through East-West customs, gathered ...

1993 | 30 min | Icons & Media Art
A short film by one of Germany's most respected experimental film artists, Michael Brynntrup, featuring one of Germany's unique talents, Udo Kier (MANDERLAY) and filmmaker Mara Mattuschka. "Supported by the eccentric appearance of the 'enfant terrible' Udo Kier, director Michael Brynntrup treads a line between avant-garde and trash - tantamount to breaking free of both. Brynntrup has a distinct sense of humor, black humor, of course." (Catalog Gay Film Festival Freiburg, 1994) To ponder death ...

1989 | 14 min | Icons & Media Art
Long seemed invalid the Prophet's word, / But honored it was, by the outcome at last: / How odd the madness, how strange a death! (Ovid, Metamorphoses) NARCISSUS AND ECHO, a short film by Michael Brynntrup, is a “delightfully mannered game of deception, honored by the German Film Critics Association as the best experimental film of 1990. A highlight of camp aesthetic.” (Rundbrief Film) The director describes NARCISSUS AND ECHO as a film in the form of a riddle, a special kind of entertainment film ...

1996 | 7 min | Icons & Media Art
Using Super8, CD-ROM, video, color copy, and computer prints, Brynntrup re- and deconstructs a sequence of images spanning ten years through image processing techniques. "Herzsofort.Setzung is an attempt to sensitize the everyday experience and perception determined by technology in such a way that it becomes aware of itself as such, i.e. as perceiving and giving meaning." (Michael Brynntrup)

1990 | 20 min | Icons & Media Art
The short film by director Michael Brynntrup is "a superb biography - a pseudo-scientific collection of curiosities with puns turning artistic somersaults." (Abendzeitung, Nuremberg) Relics and tests from an inquiry into prototypes. Formal proof won through pregnant experiments on one's own body.

1996 | 16 min | Biography
Photographer Jürgen Baldiga (1959-1993) and filmmaker Michael Brynntrup engage in a private discourse and personal investigation into the handling of images of life and death. "AIDE MÉMOIRE recalls a deceased friend in a radically personal way. The intimate, tender gaze of the filmmaker causes a closeness also of the spectators on AIDS disease, death and transience." (Jury statement - International Short Film Festival Oberhausen)