Afternoon Woman
2012 | 59 min | Drama
With camera angles reminiscent of paintings, up-and-coming star from Brazil Afonso Uchôa explores the beauty of everyday gestures and moments.
Ana Carolina Oliveira
ActorAna Carolina Oliveira is a talented actress who has made a mark in the Brazilian entertainment industry. She has appeared in a variety of roles, showcasing her versatility and dedication to her craft. One of her notable performances includes her role in the film "Pacified," which garnered significant attention. "Pacified" revolves around life in a Brazilian favela post-Olympics and won the Best Film award at the San Sebastián International Film Festival. Ana Carolina Oliveira's work in the Brazilian film and television scene continues to establish her as a rising star to watch.
Films
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GDR Experimental: Metamorphosis 1
1978 | 6 min | Icons & Media Art
In 1976, Lutz Dammbeck and five Leipzig artists conceived the interdisciplinary exhibition “Tangente I”, which was intended to serve as a platform for experimental art forms in the GDR. The focus was on collaborative works combining various media such as painting, film and installation. However, before the exhibition could be realized, it was banned by the authorities in 1977 – a typical fate for avant-garde art in the GDR that operated outside the state-regulated framework. Dammbeck did not let ...
Poem of the Day
2015 | 30 min | Documentary
He doesn’t feel comfortable at home and that is why he often escapes to visit a friend, Amelia, an old woman who wears a cap and lives in a small house on the hillside. There she talks about her life, her family and her dreams. He reads her her letters. But life is not always so simple: Amelia has money troubles. Youdid Kahveci's short film POEM OF THE DAY debuted at Achtung Berlin. Growing up in East Berlin in the 1980s, Kahveci found her way to film after detours doing gardening and diving and ...
The Cave of Hercules
1990 | 44 min | Icons & Media Art
For centuries, the mythical figure of Heracles has been a symbol of immense strength, divine mission and the challenges of human existence. His twelve heroic deeds are world-famous – including the slaying of the Nemean Lion, the slaying of the Lernaean Hydra and the cleansing of the Augean stables. But beyond the heroic saga, his image remains fragmentary, changeable and elusive. HERAKLES CAVE sets out on a quest to find the ancient hero and his legacy in the modern world. Director Lutz Dammbeck ...
Boy
2015 | 30 min | Documentary
The film follows an Afghan girl who is raised as a boy and a young Afghan singer who disguises herself as a boy in order to lead a "freer life". The narration thrives on cropped, close-up observations and athmospheric descriptive landscape shots of urban and rural spaces. "An eye-opener for an unfree world and a devastating look at the system that does not accept gender beyond male or female. With the Taliban coming to power in August 2021, this film seems more timely and important than ever. It ...
GDR Experimental: Heracles
1984 | 10 min | Icons & Media Art
Lutz Dammbeck experiments with the boundaries between film, performance and media art. In the early 1980s, he works with dancer Fine Kwiatkowski to develop elements for his planned media collages – a central element of his “Herakles Concept”. This multi-layered project explores myths and political systems and their impact on society. In 1984, Dammbeck moved into an independent art space on Sredzkistraße in East Berlin, which was run by art historian Eugen Blume and artists such as Hans Scheib and ...
GDR Experimental: REALFilm
1986 | 47 min | Icons & Media Art
REALFIm is Lutz Dammbeck's radical reflection on film and filmmaking – an experiment that takes place in real time and with the direct involvement of the audience. In a performative experimental set-up, Dammbeck deconstructs the classic elements of the medium in order to “purify” them of ideological and commercial influences. Light, sound and movement are not only understood as technical components, but as fundamental building blocks of an alternative film language. The performance on May 14, 1985 ...
In The Future They Ate From The Finest Porcelain
2015 | 29 min | Icons & Media Art
IN THE FUTURE THEY ATE FROM THE FINEST PORCELAIN resides in the cross-section between sci-fi, archaeology and politics. Combining live motion and CGI, the film explores the role of myth for history, fact and national identity. A self-proclaimed narrative resistance group makes underground deposits of elaborate porcelain – suggested to belong to an entirely fictional civilization. Their aim is to influence history and support future claims to their vanishing lands.
Nation Estate
2012 | 9 min | Icons & Media Art
A vertical solution to the Israeli-Palestinian conflict has been found for the political deadlock in the Middle East. Palestinians have their state in the form of a skyscraper. The building is called the NATION ESTATE. One colossal high-rise houses the entire Palestinian population – who are now finally living 'the high life'. Each city has its own floor: Jerusalem on the third floor, Ramallah on the fourth floor, Sansour’s native Bethlehem on the fifth and so on. Intercity trips previously marred ...
Kabatas | Fillmore | Atlanten
2013 | 13 min | Icons & Media Art
Yalda Afsahs 3-film-series superimposes fleeting insights into the inner workings of the building spaces of the private and the public, of intimacy and spectacle. In KABATAS, the viewer’s gaze is directed by the movement of the wind occasionally lifting a plastic veil of an Istanbul building. Shot in San Francisco, FILLMORE is a continuation of Yalda Afsah’s close observations of urban spaces. ATLANTEN, shot in Berlin, shows two parts of a viaduct breaching out of a corner building otherwise ...
From the West
2016 | 61 min | Documentary
The camera glides its way through Germany, or more precisely through West Germany, passing by house facades, highway exits, and miniature golf courses. The idea that "West" is more than just a point on the compass is Juliane Henrich's starting point for an essayistic journey through her personal past and the past of German society as a whole.