Greta Gerwig has established herself as one of the most influential filmmakers of our time. In 2023, her groundbreaking success “Barbie” made her the first female solo director to break the billion-dollar mark at the box office.

The best Greta Gerwig movies: a must for every movie lover

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Greta Gerwig has established herself as one of the most influential filmmakers of our time. With her groundbreaking success “Barbie” in 2023, she made history as the first female solo director to break the billion-dollar mark at the box office. Her unique vision and artistic sensibilities have left a lasting impact on the film landscape.

From her stunning directorial debut “Lady Bird” to her acclaimed reimagining of “Little Women,” Gerwig demonstrates her extraordinary versatility as a filmmaker. Her works, which have been praised by critics and audiences alike, feature profound character development and contemporary storytelling. This compilation of her best films offers a comprehensive insight into the work of one of today's most important directors.

Lady Bird: Gerwig's Groundbreaking Directorial Debut

In 2017, Greta Gerwig presented her impressive directorial debut, Lady Bird, which took the film world by storm. The coming-of-age story, starring Saoirse Ronan, is characterized by sharp-witted dialogue and a profound character development.

The story centers on Christine McPherson, who has given herself the name “Lady Bird” – a rebellious teenager from Sacramento who dreams of a life beyond her hometown. The complex relationship between Lady Bird and her mother (played by Laurie Metcalf) forms the emotional heart of the film. Their dynamic is characterized by intense arguments, which at the same time testify to deep affection.

The film received remarkable recognition:

Gerwig draws on her own experiences in Sacramento, but emphasizes that the film is not an autobiographical narrative. Rather, she authentically captures universal themes such as growing up, family ties and the desire for self-discovery. The skillful balance between humorous moments and emotional depth makes “Lady Bird” a pioneering work that established Gerwig's unique directorial approach.

Discover Greta Gerwig's movies on Sooner.de!

Hannah, fresh out of college, spends her summer falling in and out of love, leaving a trail of devastation in her wake. She breaks hearts and is chronically unsatisfied. She breaks up with her freshly unemployed boyfriend and finds herself attracted to two of her colleagues, Matt and Paul.

Four unsuccessful actors go to a cabin in the woods to write a script, but their script suddenly becomes bitter reality. The group consists of Matt, his longtime girlfriend Catherine, who he keeps leaving, his buddy Chad and Chad's girlfriend Michelle. They quickly decide to base their film idea on a dream that one of the quartet recently had. In it, a person wearing a brown paper bag over their head enters a house.

Little Women: A Contemporary Adaptation of the Classic

Greta Gerwig has given the literary classic “Little Women” a new lease of life with an innovative narrative structure. The 2019 adaptation of Louisa May Alcott's novel is captivating thanks to its non-chronological narrative style, which presents the story of the March sisters in a completely new perspective.

The cast is top-notch: Saoirse Ronan embodies the rebellious writer Jo March, while Emma Watson, Florence Pugh and Eliza Scanlen bring her sisters to life. Laura Dern as Marmee and Meryl Streep as Aunt March complete the impressive ensemble.

Gerwig gives the classic material a contemporary feminist touch. The film openly addresses the economic constraints and creative ambitions of women in the 19th century. Particularly noteworthy is the portrayal of Jo's literary ambitions and Amy's astute analysis of marriage as an economic institution.

The Academy honored Gerwig's vision with six Oscar nominations:

With a 95% critic consensus rating on Rotten Tomatoes, “Little Women” established itself as one of the most significant films of 2019 and solidified Gerwig's position as a visionary director.

The summer of 2023 marked a historic turning point in Greta Gerwig's career. With “Barbie,” she made film history as the first female solo director to break the magical $1 billion box office barrier. The film, starring Margot Robbie and Ryan Gosling, exceeded all expectations and set several notable records:

$155 million in its opening weekend in the US

Highest grossing film directed by a woman

Fastest Warner Bros. film to reach the billion mark

Beating Christopher Nolan's “The Dark Knight” record

But the pink success story is more than just a commercial triumph. Gerwig constructed a multi-layered social critique in the form of a dazzling plastic world. Matriarchy reigns in “Barbie Land” – the Barbies are presidents, doctors and judges, while the Kens are mere accessories.

The film skillfully balances entertainment and depth. Critics particularly honor Gerwig's ability to convey serious topics such as feminism and identity with humorous ease. With a critics' rating of 89% on Rotten Tomatoes, the film is not only a crowd favorite, but also an artistic success.

In Germany, the film attracted over 6 million viewers and grossed more than 55 million euros. These figures underscore Gerwig's extraordinary ability to appeal to both mainstream audiences and critics.

Greta Gerwig's impressive filmography shows an extraordinary artistic development – from the acclaimed indie drama “Lady Bird” to the innovative literary adaptation “Little Women” and the groundbreaking blockbuster “Barbie”. Her ability to master different genres and to inspire both critics and the general public makes her a unique voice in contemporary cinema. Watch Greta Gerwig's films on Sooner.de and see for yourself how she combines complex topics with ease and depth.

This remarkable success story marks a turning point for the film industry and opens doors for future generations of female filmmakers. Gerwig's work stands for courageous storytelling that combines social relevance with artistic ambition. With each new project, she proves that great cinema knows no bounds - neither in terms of genre nor commercial expectations.

Discover exclusive films and series that move and inspire.

'Soul Kitchen' by Fatih Akin is considered a milestone of 21st-century German cinema. The film not only shaped the German film landscape in 2009, but also set new standards for the comedy genre. This story of a Hamburg restaurant quickly developed into one of the most important German films of its time.

How Fatih Akin's 'Soul Kitchen' revolutionized the German film scene

'Soul Kitchen' stands as a milestone of 21st century German cinema. The film not only shaped the German film landscape in 2009, but also set new standards for the comedy genre. This story of a Hamburg restaurant quickly developed into one of the most significant German films of its time.

Director Fatih Akin created a unique work with 'Soul Kitchen' that combines technical innovation with cultural diversity. The film is characterized by its extraordinary cast and its authentic view of modern Hamburg. These elements contributed significantly to Soul Kitchen becoming a groundbreaking project in German film history.

The Story Behind the Making of 'Soul Kitchen'

The story of Soul Kitchen actually began in 2003/2004, when Fatih Akin originally conceived the project as a follow-up to Head-On. The creative process got off to a surprising start: Akin was experimenting with a new text program and wrote without a specific vision. He found inspiration in the personal crisis of his friend Adam Bousdoukos, who was mastering both private and professional challenges at the time.

After the success of Head-On, Akin initially put the project on hold – a “snotty comedy” no longer seemed to meet the high expectations. It was only the death of his production partner Andreas Thiel that led to a change in thinking. Thiel's encouragement “Who gives a shit what people say” became the leitmotif of the project's resumption.

The two-year production phase was crowned by significant successes:

Special Jury Prize at the 66th Venice Film Festival

Art Cinema Award at the Hamburg Film Festival 2009

North German Film Prize 2009 for Best Screenplay

It is also worth noting that lead actor Moritz Bleibtreu even turned down a role in Quentin Tarantino's Inglourious Basterds for Soul Kitchen – a sign of the project's special significance.

Discover the Films of Fatih Akin on Sooner.de!

Zinos, the owner of a bar, has been unlucky: first his girlfriend Nadine moves to Shanghai for a new job, then he suffers a herniated disc. When he desperately hires the eccentric top chef Shayn, even his few regular guests stop coming. And as if that weren't enough, his slightly criminal brother Illias turns up and asks him for help.

1915: The Armenian Nazaret lives a happy life with his wife and daughters in Mardin. Until one night, Turkish troops drag him out of his house and force him to work on road construction. The situation escalates. He and his fellow prisoners have their throats slit. But Nazaret survives, manages to escape, and finds only dying people in a camp in the desert.

The extraordinary cast proved to be one of the most important factors in the success of Soul Kitchen. Fatih Akin relied on a proven ensemble from his earlier productions, which his film company aptly described as a “best-of cast”.

Familiar faces were cast in the central roles:

Moritz Bleibtreu (In July, Solino) as Illias Kazantsakis

Birol Ünel (Head-On) as the eccentric chef Shayn

Adam Bousdoukos (Short Sharp Shock) as Zinos

The actors' intensive preparation for their roles was particularly noteworthy. Birol Ünel received special coaching from top chef Ali Güngörmüs and expert Joern Martens for his portrayal of the head chef. This attention to detail was reflected in the authenticity of the performance.

The chemistry between the actors also convinced the critics. The audience in Venice was thrilled by the comically touching atmosphere, which was largely created by the harmonious interaction of the actors. Anna Bederke as Lucia and Pheline Roggan as Nadine perfectly rounded off the ensemble and contributed to the lively atmosphere of the film.

Technical brilliance characterizes Fatih Akin's work in Soul Kitchen in various aspects. The director used innovative shooting techniques to capture the authentic Hamburg off the beaten track. A prime example of this is the creative use of the museum ship Rickmer Rickmers, which simulates a journey from Beirut to Cuba in the film – without ever leaving the port of Hamburg.

The film's background music became a technical masterpiece in its own right. The soundtrack was a remarkable success:

Innovative blend of soul classics and multicultural sounds

Particularly noteworthy was Akin's technical approach to comedy, which he himself described as “the highest discipline”. The culinary scenes were inspired by Isabel Allende's cookbook “Aphrodite”, which led to a unique visual representation of the dishes. The technical realization of these sequences contributed significantly to the authentic atmosphere of the film.

The visual language of the film shows a Hamburg far removed from the usual glossy shots. Akin deliberately chose locations in Wilhelmsburg and on the Veddel, which he staged with his characteristic handwriting. This technical approach created a unique fusion of realism and artistic vision.

As a cultural phenomenon, Soul Kitchen developed into an important commentary on urban and social change. The film addresses the gentrification in Hamburg-Wilhelmsburg and has been described by critics as a modern “Heimatfilm” – a contemporary interpretation of a classic German genre.

Fatih Akin used the story of Soul Kitchen as a metaphor for the struggle for cultural identity in a changing city. The film impressively shows the transformation of a working-class neighborhood:

From a simple snack bar to a hip restaurant

From a working-class neighborhood to an object of speculation

From a local community to an urban trend destination

Particularly noteworthy is Akin's portrayal of modern Hamburg as a multicultural melting pot. The director consciously campaigned for the preservation of historical districts, such as the Gängeviertel, and used his film as a platform for cultural activism. The story of Soul Kitchen thus became a symbol of resistance to the dissolution of established urban structures.

The film developed into a tragicomic declaration of love for Hamburg and its inhabitants. It addresses the meaning of “home” in an increasingly globalized world and shows how important social spaces can serve as a protective zone for those who lose out to modernization.

Soul Kitchen stands as a stunning example of how German cinema can masterfully blend cultural diversity, technical innovation, and authentic storytelling. Not only does the film present a vibrant portrait of modern Hamburg, but it also tells a universal story about home, identity, and societal change. Fatih Akin's skillful direction, coupled with the extraordinary ensemble cast and technical brilliance, created a work that left a lasting impact on the German film landscape.

This unique blend of comedy and social observation makes Soul Kitchen a timeless document of urban transformation and cultural evolution. The film continues to inspire new generations of filmmakers and audiences alike – watch Soul Kitchen by Fatih Akin on Sooner.de! Its significance as a milestone of German cinema remains indisputable, while its message of community, change, and the value of cultural spaces seems more relevant than ever.

We are delighted to welcome two up-and-coming talents from the Film University Babelsberg KONRAD WOLF, Adam Frag and Mandy Peterat, to our latest SOONER podcast episode. We talk to them about their short film STAINED SKIN - A fairy tale that metaphorically deals with the grievances in the fast fashion industry.

Adam Graf and Mandy Peterat | SOONER BLOG

STAINED SKIN - A fairy tale that metaphorically deals with the grievances in the fast fashion industry.

STAINED SKIN takes us to a dystopian textile factory where two young female workers, Alba and Samy, are integrated into the rhythmic beat of the machines.

New SOONER podcast episode: An interview with the directors duo from STAINED SKIN

We are delighted to welcome two up-and-coming talents from the Film University Babelsberg KONRAD WOLF in our latest SOONER podcast episode: Adam Graf and Mandy Peterat. Adam, born in Austria in 1995, has already made a name for himself internationally as a cameraman, while Mandy, born in Berlin in 1993, comes from a traditional family of tailors and transfers her passion for fine art and interior design to the world of film. Together they have created the short film STAINED SKIN, which is now available on Sooner.

STAINED SKIN takes us to a dystopian textile factory where two young workers, Alba and Samy, are caught up in the rhythmic beat of the machines. The story takes a mystical turn when Alba begins to tell the story of Nanami, a girl who lives at the bottom of the sea and is trying to free herself from enslavement. The film merges reality and fairy tale and metaphorically explores the abuses of the fast fashion industry. In their first directorial collaboration, Adam and Mandy have pushed the boundaries of their previous roles as cinematographer and production designer and, together with the magical animation of Andrei Ebinca, have created a visually stunning and profound narrative. 

In our podcast, we talk to Adam and Mandy about their journey into filmmaking, the creation and challenges of producing "Stained Skin" and their experiences at the Film University Babelsberg KONRAD WOLF. They give exciting insights into their creative collaboration and share their insights into the film industry. Listen in and get to know the two directors behind the scenes!

One of the hotspots for the next generation of filmmakers for innovative and inspiring cinema.

Discover more talents in our Filmuni Channel 

In the SOONERCAST, Laetitia Masson talks to Sebastian Urzendowsky about her work and her new film SUMMER FROST (with Clémence Poésy), which will soon be shown on SOONER and promises to be an extraordinary film experience.

Laetitia Masson | SOONER BLOG

Laetitia Masson talks to Sebastian Urzendowsky about her work on the SOONERCAST.

Laetitia Masson's new film SUMMER FROST (with Clémence Poésy) will soon be shown on SOONER.

SUMMER FROST: When love and power are put to the test

Laetitia Masson's new film SUMMER FROST (with Clémence Poésy) will soon be shown on SOONER and promises an extraordinary film experience. The film shows in a poetic and visually stunning way how ten strangers meet during an unusual cold spell in summer in France. These encounters, imbued with intense emotions and self-reflection, paint a haunting portrait of the human soul. In an episodic structure, Masson interweaves themes such as loneliness, love and the search for connection against a surreal backdrop.

In SOONERCAST, Masson talks to Sebastian Urzendowsky about her work. The interview was held in French, the subtitled version can be seen on YouTube. She sees her films less as political statements than as in-depth explorations of the human condition. Although she does not see herself as a feminist filmmaker, her characters are often lonely figures in search of love, which they confuse with attachment. A central motif in her films is the triad of love, work and money. SUMMER FROST (with Clémence Poésy) impressively embodies these profound themes.

On 09.09. SUMMER FROST will be screened at Cinema Paris in the presence of Laetitia Masson. This special screening offers a rare opportunity to experience the film on the big screen and meet the director in person. Listen to the full interview on SOONERCAST to find out more about the background to this fascinating work and Masson's world of thought. Stay tuned for the launch of SUMMER FROST on SOONER soon.

Discover the curated selection of films by Laetitia Massons

Philippe Grégoire is a Canadian film director and screenwriter from the small village of Napierville, Quebec, whose debut feature film The Noise of Engines (Le Bruit des moteurs) was released in 2021 and is shown on Sooner.

Philippe Grégoire - Noise of Engines

A Canadian film director and screenwriter from the vastness of Quebec

We spoke to him about these questions and his connection to his home village of Napierville.

Why did Philippe Gregoire want to become a filmmaker and why does he love car racing?

Philippe Grégoire is a Canadian film director and screenwriter from the small village of Napierville, Quebec, whose debut feature film The Noise of Engines (Le Bruit des moteurs) was released in 2021 and is shown on Sooner. Philippe shares some insides how Noise Of Engines was created - a quite personal and nostalgic movie that was shot in his hometown with its inabitants that love car race. The film received three Canadian Screen Award nominations at the 10th Canadian Screen Awards in 2022, including a Best Director nod for Grégoire and the John Dunning Best First Feature Award.

We talked with him about his motivation to become a filmmaker and what inspires him. Growing up with very open minded parents he had the chance to study film and started his first projects together with his friends influenced by Cinéma québécois which is part of the québeque culture. Of course we were very curious about his favorite films on sooner - listen in and find out which films he picked and why :)

THE TRIBE - The Ukrainian youth drama dispenses with words and uses sign language only

Find out more about Philippes favorite movies on sooner

Discover also Philippe Grégoires curated Channel!

The camera and directing duo Sarina Laudam & Jacqueline May live and work in Cologne. Sarina completed her Bachelor's degree in Director of Photography at the International Film School Cologne and Jacqueline studied communication design with a focus on directing at the University of Applied Sciences Aachen.

Sarina Laudam & Jacqueline May - Into the Wild Mentoring

Founders of the FLINTA* Network Female Filmmakers Cologne

And how does the INTO THE WILD mentoring program work?

What is it like to found a filmmaker network?

Together they realized their first joint film project in 2021 and founded the FLINTA* network Female Filmmakers Cologne the following year. They are currently working on their debut film as an author duo in the INTO THE WILD mentoring program.  They talked to us about filmmaking, their film NUR EIN FREITAG and their favorite films on SOONER.

FREDA: "A vibrant film about a young generation in a country marked by colonialism that gives hope" (Jacqueline May)

Find out more about their favorite movies on SOONER

Discover Sarina`s and Jacqueline's curated Channel

In our podcast, Paul talks about his journey to film, studying at the Film University Babelsberg KONRAD WOLF, the inspiration for the movie "EVERYTHING HAS AN END," and the creative work with the collective Lunchbox Candy. Tune in to learn more!

PAUL SCHEUFLER | SOONER BLOG

Director and student at the Film University Babelsberg KONRAD WOLF

Paul's latest movie "EVERYTHING HAS AN END" is running on SOONER

In our podcast, Paul talks about his journey to film and studying at the Film University Babelsberg KONRAD WOLF

Paul Scheufler, born in 1998 in Graz, Austria, is an up-and-coming director currently studying at the renowned Film University Babelsberg KONRAD WOLF. Paul showed an early passion for filmmaking and was able to create several fictional and documentary short films as a writer and director during a training in Film & MultimediaArt. These versatile talents also led Paul to the stage as an actor in youth theaters in Graz.

Paul's latest movie "EVERYTHING HAS AN END" is running on SOONER. The movie premiered at the Federal Festival of Young Film 2022 and was created during his studies at the Film University Babelsberg KONRAD WOLF. The film tells the story of Helen, a middle-aged woman who sells sausages from a mobile food stand. However, her customers ignore her until she decides to break out of her role. The film addresses issues such as precarious work situations and the pressure of societal expectations. Paul describes the film as a call to sometimes do something wrong and to intuitively listen to one's own needs. “Go Helen!” is not just a slogan, but a call for self-empowerment.

Next Generation: Film University Babelsberg KONRAD WOLF

Discover more talents from the Film University Babelsberg KONRAD WOLF

Malte Wirtz is a German director and writer celebrated for his unconventional filmmaking approach. He introduced #ZOGMA, a new digital-only film genre, establishing himself as a trailblazer in German indie cinema.

Malte Wirtz | Sooner Cast

A German director and writer celebrated for his unconventional filmmaking approach

And what is his new, purely digital film genre #ZOGMA?

Why does Malte Wirtz send his actors text messages during filming?

Malte Wirtz is a German director and writer celebrated for his unconventional filmmaking approach. After graduating in 1999, he has worked as a theater and film director, collaborating with various theaters in Germany. His films are characterized by their unique, playful, and experimental nature, often incorporating audience interaction and creative techniques, including shooting entirely on digital platforms.

 Wirtz is known for his pioneering methods, such as influencing actors through text messages during filming, a concept he expanded on in "Digital Life," a film entirely shot on Zoom Video Communications. He introduced #ZOGMA, a new digital-only film genre, establishing himself as a trailblazer in German indie cinema.

Find out more about Maltes favorite movies on sooner

Discover also Malte Wirtz' curated Channel!

After graduating from the Ernst Busch Academy in 2003, Hüller began her career in the theater. Instead of staying in Berlin, she opted for an engagement at a theater southwest of Leipzig.

Sandra Hüller: Career and successes

Sandra Hüller: Career and successes at a glance

Sandra Hüller has established herself as one of the most impressive actresses of her generation. With her extraordinary talent and versatile performance artistry, she has captured the attention of critics and audiences alike. Her career spans theater, television and film, and she has delivered remarkable performances in each of these art forms.

Watch Sandra Hüller's movies on Sooner.de!

Sandra Hüller was born on April 30, 1978 in Suhl, Thuringia, and grew up in the small town of Friedrichroda. As a child of the former GDR, she experienced a childhood that was shaped by the political and social conditions of the time. Her parents both worked in education, which may have sparked her interest in art and culture at an early age. The fall of the Berlin Wall during her youth had a formative influence on her development.

At the age of 17, Hüller ventured to Berlin, where she applied to the renowned Ernst Busch Academy of Dramatic Arts and was accepted. This decision marked the beginning of her professional acting career. During her training, she already showed her extraordinary talent and her willingness to take artistic risks. One example of this was her innovative interpretation of Juliet's monologue from “Romeo and Juliet”, in which she portrayed the role in an unconventional way.

After graduating from the Ernst Busch Academy in 2003, Hüller began her career in the theater. Instead of staying in Berlin, she opted for an engagement at a theater southwest of Leipzig. This move allowed her to develop and refine her skills away from the Berlin limelight. She then moved to Switzerland, where she joined the Theater Basel ensemble.

Hüller's talent was quickly recognized and she received important awards. In 2003, the year she graduated, she was named best young actress by the trade magazine “Theater heute”. This was the beginning of a series of accolades that recognized her outstanding performances on stage.

Her portrayal of Gretchen in Goethe's “Faust” at the Schauspielhaus Basel in 2002 was particularly noteworthy and earned her great recognition. This role demonstrated early on her ability to embody complex characters with depth and nuance.

Despite her later success in film, Hüller remained loyal to the theater. She regularly returned to the stage and proved her versatility in various productions. Her dedication to theater and her continuous development as an actress laid the foundation for her later successful career in film and television.

Early film rolesSandra Hüller began her film career after a successful time in the theater. She made her screen debut in 2006 in Hans-Christian Schmid's film “Requiem”. In this film, she played the lead role of Michaela Klingler, a young woman from a strict Catholic family who suffers from epileptic seizures and believes she is possessed by demons. This role was an enormous challenge, as she had to embody a complex and emotionally charged character.

Hüller's performance in “Requiem” was so convincing that she immediately attracted the attention of critics and audiences alike. Her performance was described as “harrowing and haunting”. For this role, she was awarded the Silver Bear for Best Actress at the 56th Berlin International Film Festival. This marked a significant milestone in her career and opened the doors to further challenging roles in German and international cinema.

Director Hans-Christian Schmid recalled how impressed he was by Hüller's talent at the audition: “You could see everything in her face, even the tears. It was clear even then that she was incredibly creative. Someone with less talent plays almost the same thing over four takes. Sandra has a lot of imagination, she always comes up with new ideas”.

Establishment as a leading German actress

After her breakthrough with “Requiem”, Sandra Hüller cemented her reputation as one of Germany's leading actresses. She continued to take on challenging roles and proved her versatility in both theater and film. However, her international breakthrough only came a decade later with her role in Maren Ade's comedy “Toni Erdmann” (2016).

“Toni Erdmann” became a critical and commercial success and brought Hüller international recognition. The film was nominated for an Oscar for Best International Film and cemented Hüller's position as one of the most remarkable actresses of her generation.

In the years that followed, Hüller continued her impressive career, taking part in various projects that proved her versatility. She starred in films such as “Sisi & I” (2023) and received a nomination for the German Film Award for Best Actress for her performance.

The highlight of her career to date came in 2023 with two films that premiered at the Cannes Film Festival: “Anatomie d'une chute” by Justine Triet and “The Zone of Interest” by Jonathan Glazer. For her performance in “Anatomie d'une chute”, she won her second European Film Award for Best Actress and received nominations for the Oscar, the Golden Globe and the BAFTA Film Award.

Sandra Hüller's international breakthrough came with her role in Maren Ade's comedy “Toni Erdmann” in 2016. The film, which premiered at the Cannes International Film Festival, brought the German actress worldwide recognition. Hüller embodied the character of Ines Conradi, an ambitious management consultant who has difficulty dealing with her unusual father. Her nuanced portrayal of a woman torn between professional success and personal relationships was highly praised by critics.

“Toni Erdmann” is considered one of the best films of the 2010s and brought Hüller international attention. Her performance in the film earned her her first European Film Award for Best Actress. The complexity of her role was particularly evident in scenes such as the improvised karaoke performance of Whitney Houston's “The Greatest Love of All”, in which Hüller demonstrated her vocal talent while revealing the emotional depth of her character.

The year 2023 marked a high point in Sandra Hüller's career. She played leading roles in two films that competed for the Palme d'Or at the 76th Cannes Film Festival. In Justine Triet's French courtroom drama “Anatomie d'une chute”, Hüller played the role of Sandra Voyter, a writer and mother accused of murder. The film won the Palme d'Or, the festival's highest award.

At the same time, Hüller appeared in Jonathan Glazer's Holocaust drama “The Zone of Interest”, in which she played Hedwig Höss, the wife of Auschwitz commandant Rudolf Höss. This film was honored with the Grand Jury Prize, the second highest award in Cannes. The fact that Hüller played leading roles in two award-winning films underlined her versatility as an actress and cemented her reputation on an international level.

Sandra Hüller's impressive performances in “Anatomie d'une chute” and “The Zone of Interest” led to a number of nominations for prestigious film awards. At the 2023 European Film Awards, she became the first actress in the history of the prize to receive a double nomination in the Best Actress category. She won the award for her role in “Anatomie d'une chute”.

Her performances also brought her international recognition. Hüller was nominated for a Golden Globe for Best Actress in a Drama. She also received nominations for the British Academy Film Awards (BAFTA) for both Best Actress in a Leading Role and Best Supporting Actress - a rare accolade that underlines her versatility.

The highlight of her career to date came with her nomination for the Academy Award for Best Actress in a Leading Role for “Anatomie d'une chute”. This nomination is particularly notable as it was for a performance in a non-English language film. Hüller's ability to portray complex characters in different languages and cultural contexts has made her one of the most sought-after actresses of her generation.

Discover the movies of Sandra Hüller on Sooner.de!

Sandra Hüller plays the main character Lena Ferben, who loses her entire memory following a rare neurological disease. With no memories of her former life, she has to rediscover her identity and relationships with family and friends. As Lena tries to navigate her familiar yet strange surroundings, she asks fundamental questions about her own personality and the influences of her past. The film explores profound themes such as identity, self-discovery and the importance of memories for one's own being.

Sandra Hüller plays the main character Martha, whose life falls apart after the sudden death of her husband Paul. When she learns that Paul led a secret double life, she sets out on a search for answers. In the process, she meets Alexander, a man who looks strikingly similar to Paul, and a complex relationship develops between them. The film deals with loss, identity and the question of how well you know the people you love.

Sandra Hüller plays the main character Rita, a young woman with a chaotic life. She is the mother of several children from different fathers and struggles with her responsibilities as a mother as well as her need for freedom. After a long absence, she returns to her family and has to confront complicated relationships and her own past. The film paints an intense portrait of a woman in search of identity, belonging and self-determination.

Sandra Hüller has developed a unique approach to selecting and preparing for her roles. For the actress, it is an unconscious process that begins as soon as she decides on a project. She describes it as being constantly surrounded by the role: “No matter what I do, where I go, I see people or hear music, it's in relation to it.” This intuitive approach allows Hüller to immerse herself deeply in her characters without consciously focusing on them.

For certain roles, such as in “Anatomie d'une chute”, intensive language preparation was required as Hüller had to improve her French. She sees this as an opportunity to overcome boundaries: “It's no longer so important that someone speaks without an accent, nor are these boring ideas of perfection.” This openness to linguistic and cultural diversity is reflected in Hüller's ability to work in different languages and contexts.

Working with directors is an essential aspect of Hüller's artistic process. She particularly appreciates working with directors who give her creative freedom. One example of this is her work with Jonathan Glazer on “The Zone of Interest”. Hüller describes how Glazer gave the actors a lot of freedom: “Sometimes we didn't even know exactly where the cameras were. He basically left us alone with the characters and the story.”

This kind of collaboration allows Hüller to delve deeper into her roles and create authentic portrayals. She emphasizes the importance of mutual trust between actor and director: “There was an indescribable amount of freedom you have as an actor because you don't have to think about lighting and markings.”

Sandra Hüller has her roots in the theater and continues to maintain a close connection to the stage. She particularly appreciates the rehearsal process in the theater: “I really like this process, the routine of six or eight weeks together in the same room. The shared thinking, the trying, the failing and how much the body is involved. I just love it.”

Despite her success in film, Hüller regularly returns to the theater. She sees the theater as a safe place where she feels comfortable and knows what she is doing. This balance between theater and film allows her to explore and develop different aspects of her art.

Hüller sees acting as a kind of laboratory in which she can explore the workings of humanity and people. This attitude is reflected in her approach to different roles, whether on stage or in front of the camera. She emphasizes: “It has always seemed like a kind of laboratory and field of exploration to find out how humanity works, how people work.”

This balanced approach to her art has enabled Sandra Hüller to deliver exceptional performances in both theater and film and to continuously develop herself further. Her artistic philosophy, based on intuition, collaboration and constant exploration, has made her one of the most sought-after actresses of her generation.

Sandra Hüller's impressive career demonstrates her extraordinary versatility as an actress. From theater to German films to international productions, she has always impressed with profound and nuanced performances. Her recent successes, particularly her Oscar nomination for “Anatomie d'une chute”, underline her status as one of the most outstanding actresses of her generation. Hüller's ability to embody complex characters in different languages and cultural contexts has made her a sought-after artist.

Hüller's artistic approach, based on intuition, close collaboration with directors and a balance between theater and film, has contributed significantly to her success. Her willingness to push boundaries and constantly evolve promises an exciting future for this extraordinary actress. Sandra Hüller's career is not only a success story, but also an inspiration for aspiring artists striving to gain a foothold in the film world while remaining true to their artistic vision. 

Question: Who is the father in the movie “Toni Erdmann”, in which Sandra Hüller plays a role?

Answer: In the 2016 film “Toni Erdmann” by Maren Ade, Peter Simonischek and Sandra Hüller play father and daughter. It is a comedic family drama that premiered in May 2016 in competition at the 69th Cannes Film Festival.

Question: Which films has Sandra Hüller appeared in?

Answer: Sandra Hüller's notable films include “Requiem” (2006), “Über uns das All” (2011), “Toni Erdmann” (2016), “In den Gängen” (2018), the Oscar-winning “Anatomy of a Case” (2023) and the upcoming comedy “Zwei zu Eins” (2024), which deals with the end of the GDR mark.

Question: How many children does Sandra Hüller have?

Answer: Sandra Hüller lives in Leipzig-Plagwitz and Bochum and is the mother of a daughter. In June 2024, she also took over the sponsorship of the ship Sea-Eye 5, which offers help to refugees in the Mediterranean.

Question: What languages does Sandra Hüller speak?

Answer: Sandra Hüller speaks German as her mother tongue, is fluent in English and has a basic knowledge of French. She was born in Suhl, Germany, in 1978 and lives in Leipzig, Saxony.

Discover exclusive films and series that move and inspire. 

Pia Frankenberg explores the uncertainties around us as she leans into the chaotic confusion of life without drawing set-in-stone conclusions. After first making two short films, she made two feature-length movies then released her last feature as director, "Never Sleep Again", in 1992.

Pia Frankenberg - Retrospektive

As radical, rebellious and provocative, as light-footed and hilarious as no other.

Then she put the camera aside and preferred to write novels. We asked Pia Frankenberg: Why?

In the 80s, she was one of the most exciting filmmakers in Germany. 

Pia Frankenberg explores the uncertainties around us as she leans into the chaotic confusion of life without drawing set-in-stone conclusions. After first making two short films, she made two feature-length movies then released her last feature as director, "Never Sleep Again", in 1992. 

It is fair to say that her storytelling has retained relevance and topicality thanks to the frictions she addresses in her work where the personal and political collide. SOONER is showing all 5 Pia Frankenberg films, and spoke to her and released the interview on Soonercast.

Discover the unique Pia Frankenberg retrospective

Isis Rampf's journey into the world of film began with film screenings for children, which she organised during her year of voluntary service. Her studies in media studies and directing at the international film school cologne, as well as her work as an assistant director, laid the foundation for her career as a director.

Isis Rampf - Into the Wild Mentoring

During a voluntary social year Isis discovered her love of film. In her roll as a director she enjoys create space and visibility for art and culture

Which she experienced both during the INTO THE WILD mentoring program and while working on her documentary ALLESANDERSPLATZ.

Isis Rampf talks about the positive power of community in this episode of the Sooner Cast.

Isis Rampf's journey into the world of film began with film screenings for children, which she organised during her year of voluntary service. Her studies in media studies and directing at the international film school cologne, as well as her work as an assistant director, laid the foundation for her career as a director. The passion she saw in the children's eyes still drives her today and motivates her to make films herself.

In our SOONERCAST, Isis Rampf talks about her experiences with the Into The Wild mentoring programme, in which she is working on her new project GEFÄHRTINNEN. The programme gives her the chance to write material while being supported by a dramaturge and a mentor from the industry. The positive atmosphere, which is characterised by mutual support rather than competition, and the prospect of forming a strong network for the future with the other mentees are factors that the up-and-coming director particularly appreciates.

In her film ALLESANDERSPLATZ, Rampf delves into the topics of community, collective work and urban society. The documentary, which deals with the long-empty Haus der Statistik on Berlin's Alexanderplatz, focuses on social housing, open spaces for art and culture and poses the question of how the city can be designed in a sustainable and community-oriented way. It thus addresses issues that have great social relevance far beyond the city of Berlin. In the new podcast episode, the Into-The-Wild mentee talks about the genesis of the project, the conceptual basis of the film and Isis' path to the House of Statistics. Listen in now!

DREISSIG - "A story that captivates me without a hero's journey and tells of not getting anywhere." (Isis Rampf)

Find out more about her favorite movies on SOONER

Ayla Yildiz has created a moving documentary with her film Me Time, which openly addresses child-free living, idealized motherhood roles, and the societal pressure on women. In our SOONERCAST episode, Ayla describes the film with one word: "self-determination."

Ayla Yildiz | SOONER BLOG

In the SOONER podcast, Ayla Yildiz talks about the making of ME TIME and why the topic of self-determination is so important to her.

ME TIME: Self-determination instead of Mother's Joy? – A Film by Ayla Yildiz

Ayla Yildiz has created a moving documentary with her film Me Time, which openly addresses child-free living, idealized motherhood roles, and the societal pressure on women. In our SOONERCAST episode, Ayla describes the film with one word: "self-determination." This central theme runs like a red thread through the stories of the six protagonists, who talk about personal experiences related to abortion, unwanted pregnancy, sterilization, Regretting Motherhood, and life without children.

Me Time stands out for its honest approach. As the first feature film to deal with the taboo topic Regretting Motherhood, it has sparked many discussions and has been awarded various prizes, including Best Director – Documentary at the Berlin Indie Film Festival and Best Cinematography at the New York International Women Festival.

SOONER Podcast about breaking taboos, self-determination, and the complex relationship between family and gender equality.

In the SOONER podcast, Ayla Yildiz talks about the making of Me Time and why the topic of self-determination is so important to her. She explains how the choice of words – "childless" vs. "child-free" – can greatly influence public perception and why it's important to destigmatize topics like Regretting Motherhood.

Ayla emphasizes that with Me Time, she not only wants to start a debate but also create space for reflection: about the freedoms and rights women should have regarding their own life decisions. Especially in times when conservative voter alignments are increasing, she sees it as necessary to continue strengthening women's self-determination. In addition, Ayla shares her reading recommendations on the topic in the podcast and presents her curated SOONER channel.

Discover Ayla Yildiz's curated film selection

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