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Claudia Steiger

Actor
Claudia Steiger is a notable figure in the film industry, though there is limited information available about her wide-ranging contributions to cinema. She has been involved in various projects either in an acting or directing capacity, showcasing her versatile talents within the industry. Specific films and awards associated with Claudia Steiger are not widely documented, suggesting that her work might be more niche or under the radar in mainstream media.

Films

Captain Berlin versus Hitler

Captain Berlin versus Hitler

By Jörg Buttgereit

2009 | 75 min | Icons & Media Art

1973: Adolf Hitler's former personal physician Ilse von Blitzen wants to revive the dictator. Only Captain Berlin can stop her.

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Sudden and Unexpected - A Déjà-Revue (Plötzlich und unerwartet )

Sudden and Unexpected - A Déjà-Revue (Plötzlich und unerwartet )

1993 | 30 min | Icons & Media Art

A short film by one of Germany's most respected experimental film artists, Michael Brynntrup, featuring one of Germany's unique talents, Udo Kier (MANDERLAY) and filmmaker Mara Mattuschka. "Supported by the eccentric appearance of the 'enfant terrible' Udo Kier, director Michael Brynntrup treads a line between avant-garde and trash - tantamount to breaking free of both. Brynntrup has a distinct sense of humor, black humor, of course." (Catalog Gay Film Festival Freiburg, 1994) To ponder death ...

Bruno & Bettina

Bruno & Bettina

2018 | 101 min | Documentary

In the 1970s, the radical left was in turmoil worldwide, and the boundaries between art and political activism were blurring. In 1974, the Japanese screenwriter and director Masao Adachi, known for his experimental and provocative works, made a radical turn and joined the “Japanese Red Army” (JRA) founded by Fusako Shigenobu in Lebanon. This extremist group fights for global revolution alongside the Popular Front for the Liberation of Palestine (PFLP). Lutz Dammbeck's documentary film BRUNO & BETTINA ...

GDR Experimental: REALFilm

GDR Experimental: REALFilm

1986 | 47 min | Icons & Media Art

REALFIm is Lutz Dammbeck's radical reflection on film and filmmaking – an experiment that takes place in real time and with the direct involvement of the audience. In a performative experimental set-up, Dammbeck deconstructs the classic elements of the medium in order to “purify” them of ideological and commercial influences. Light, sound and movement are not only understood as technical components, but as fundamental building blocks of an alternative film language. The performance on May 14, 1985 ...

The painter of the strange country …

The painter of the strange country …

1988 | 42 min | Icons & Media Art

Three artists who moved from East Germany to West Berlin in the mid-1980s are the focus of this documentary. Cornelia Schleime, Hans-Hendrik Grimmling and Hans Scheib were part of the alternative art scene in East Germany and resisted state dictates. But what did the change to a new social system mean for their artistic identity? How did their strategies and perspectives change in the West, where market mechanisms and a different culture of self-staging suddenly prevailed? In THE PAINTER CAME FROM ...

Narcissus and Echo

Narcissus and Echo

1989 | 14 min | Icons & Media Art

Long seemed invalid the Prophet's word, / But honored it was, by the outcome at last: / How odd the madness, how strange a death! (Ovid, Metamorphoses) NARCISSUS AND ECHO, a short film by Michael Brynntrup, is a “delightfully mannered game of deception, honored by the German Film Critics Association as the best experimental film of 1990. A highlight of camp aesthetic.” (Rundbrief Film) The director describes NARCISSUS AND ECHO as a film in the form of a riddle, a special kind of entertainment film ...

The Statics - Engineering Memory Bridges (Die Statik der Eselsbrücken)

The Statics - Engineering Memory Bridges (Die Statik der Eselsbrücken)

1990 | 20 min | Icons & Media Art

The short film by director Michael Brynntrup is "a superb biography - a pseudo-scientific collection of curiosities with puns turning artistic somersaults." (Abendzeitung, Nuremberg) Relics and tests from an inquiry into prototypes. Formal proof won through pregnant experiments on one's own body.

Everyday

Everyday

2002 | 91 min | Drama

"In ALLTAG things are on the brink of exploding and the stakes are truly high (with none of bad movies pretenences). There's palpable risk in the air, just as in in Scorsese's Bronx." (WELT) 'You don't get something for nothing' and 'Those who take risks, fall the furthers or rise the highest' are 2 of Veit's favorite mottos. And he decides that today will be unlike every other. Determined to go and never return, Veit has the girl of his dreams, a brother full of good intentions and a friend with ...

The German Chainsaw Massacre

The German Chainsaw Massacre

1990 | 60 min | Timeless

Christoph Schlingensief's interpretation of German reunification resembles a cannibalistic slaugther house. The Iron Curtain has fallen and many East Germans want to "cross over" - including Clara (Karina Fallenstein). So she quickly kills her husband (Susanne Bredehöft) and meets her lover (Artur Albrecht). But when she meets her boyfriend, they fall into the hands of an insane family of butchers, who take advantage of the opportunity to catch as many East Germans as possible and later process ...

Jesus - The Film

Jesus - The Film

1986 | 127 min | Icons & Media Art

A monumental feature film in 35 episodes, shot on Super8. The individual episodes retell the story of the New Testament and were made by a total of 22 filmmakers. The project's own history follows the story of Jesus Christ recruiting his apostles. The film's creator Michael Brynntrup is a central and controversial figure of Berlin's vivid independent community. His transgressive obsessions, as well as his ability to smuggle miles of Russian Super8 film-material through East-West customs, gathered ...

Overgames

Overgames

2015 | 164 min | Documentary

A harmless game show or a deep-rooted experiment in re-education? When the game show “Nur nicht nervös werden” (“Don't get nervous”) first aired on West German television in 1960, no one suspected that the seemingly innocent competitions could be based on ideas from American psychiatry. But that is precisely what Joachim Fuchsberger, the host of the show at the time, claimed years later in an ARD talk show. When asked about the origins of the game mechanics, he provocatively retorted: “A crazy, mentally ...