
Mala noche
By Gus Van Sant
1986 | 78 min | Timeless
In his radical debut, Gus Van Sant explores queer desire, power, and loneliness—raw, poetic, and defining for New Queer Cinema.


By Gus Van Sant
1986 | 78 min | Timeless
In his radical debut, Gus Van Sant explores queer desire, power, and loneliness—raw, poetic, and defining for New Queer Cinema.

By Gus Van Sant
2007 | 87 min | Drama
Gus Van Sant's atmospheric study of teenage skater Jake, who tries to come to terms with a traumatic death.

1996 | 76 min | Timeless
HONEY AND ASHES sheds light on the story and fate of three women trapped between tradition and modern life in North Africa today. Naima, a doctor, Amina, a graduate, and Leila, a young student, are pursuing their individual routes to an independent life when their paths cross. “Fares’ script is intelligent and dramatically involving.” (Variety) Aged just twenty, Leila (Nozha Khouadra) is a young, rebellious woman with an unbridled desire for freedom. She leaves her family and embarks on a degree ...

1983 | 91 min | Documentary
“In my personal life I lived through different stages. There was one period determined by football, nothing but football; each Sunday we would go to see a match and I myself played in a team. Then came another period: politics. A very strong interest in politics and the attempt to understand this world that I only knew from party names so far. Contrary to today, people at the time had a very good feeling for who was a Jew. Today, with so few Jews around this is no longer so. Types like myself, with ...

2001 | 85 min | Documentary
Acclaimed Austrian documentary director Ruth Beckermann portrays a dying culture of Viennese urban history. The entertaining as well as insightful doc was shown at Berlinale. The Marc-Aurel-Street in Vienna. The last Jewish shop owner in the former textile disctrict, the Iranian hotelier, the cafe Salzgries with its regular customers. From summer 1999 until spring 2000, Ruth Beckermann made little trips to explore her home district with the camera. The film is also a document about the political ...

1987 | 92 min | Documentary
"A touching film full of melancholic tension." (John Bunzl, Wien Tagebuch) "I don't know exactly why I traveled east this winter," filmmaker Ruth Beckermann says of her journey through Eastern Europe. "I think I was just curious to know whether there was still any resemblance to the stories I grew up with." Beckermann's parents met in Vienna after the Holocaust; her father was a war refugee from Romania and her mother was a native of Vienna who settled in Palestine in 1938. Tracing the migratory ...

1999 | 82 min | Biography
Rigorous and engrossing, Ruth Beckermann's documentary retraces the steps of Austria's restless "sad empress" Elizabeth during trips to Egypt in both 1885 and 1891. When the camera gazes from the deck of the ship towards the endless horizon of the Mediterranean, the image of a woman who travelled the globe without pause takes shape. Elisabeth, Empress of Austria, also gradually disappears from view, as it were: from the age of 30 she refused to be photographed.

1997 | 116 min | Timeless
A documentary about the everyday lives of Zurich's forgotten youth. The school janitor calls the classroom where Xhumi and Müke are spending the last few months of their school days “the biggest damn ghetto.” Ana's hands get sweaty when asked about her future career. Oli is already standing outside—on the street. The film was shot over a year at a secondary school in Zurich. In six chapters – “Ghetto,” “Car,” “Techno,” “Sex,” “Drugs,” and “Marroni” – a multi-layered portrait of growing up in an ...

1994 | 73 min | Timeless
In a high-tech company, over 1,200 people are busy checking the billions of Swiss francs that flow through the country every day in the form of endless data streams. From the mass of employees—absorbed by the labyrinthine building, overwhelmed by avalanches of language—individual figures emerge: the gold card clerk, the product manager, the department head, the PC support technician, the key account manager, the director. The camera follows their inconspicuous gestures, ways of speaking, and glances. ...