
GDR Experimental: REALFilm
1986 | 47 min | Icons & Media Art
REALFilm is Lutz Dammbck's examination of film and filmmaking, a film in real time, a collage in space involving the audience.


1986 | 47 min | Icons & Media Art
REALFilm is Lutz Dammbck's examination of film and filmmaking, a film in real time, a collage in space involving the audience.

1984 | 10 min | Icons & Media Art
Together with Lutz Dammbeck, dancer Fine Kwiatkowski explores myths, political systems and their impact on society.

1984 | 10 min | Icons & Media Art
Together with Lutz Dammbeck, dancer Fine Kwiatkowski explores myths, political systems and their impact on society.

2006 | 22 min | Icons & Media Art
In a revolutionary act of artistic freedom, a group of artists occupied a trade fair building in Leipzig in 1984.

1981 | 12 min | Icons & Media Art
Sergei Eisenstein, Hans Richter and Luis Buñuel meet at La Sarraz Castle to explore new ways of independent filmmaking.

1978 | 6 min | Icons & Media Art
Because the GDR authorities banned the exhibition, Lutz Dammbeck realized the basic idea independently as an experimental film.

2016 | 90 min | Documentary
The moving life story of Mario Röllig, who fell in love with a gay West German politician in the mid-80s and was imprisoned for it.

1990 | 44 min | Icons & Media Art
The story of Hercules is well-known: son of Zeus and Alcmene, hero and god, famous for his twelve labours.

2005 | 35 min | Icons & Media Art
Lutz Dammbeck talks with Peter Lamborn Wilson (Hakim Bey) about the T.A.Z., Ted Kaczynski, Islam, Marvin Minsky, Cusanus and natural philosophy.

2023 | 91 min | Independent
A digital flat share in the middle of the pandemic. Everyone is always reachable. Love and hate are close together. A comic nightmare by Malte Wirtz.


2004 | 90 min | Icons & Media Art
A montage of TV images of the trial of Ted Kaczynski, better known as the "Unabomber."

2009 | 29 min | Icons & Media Art
A film about the relationship between art and technology and the human desire to control chaos through technological means.

1993 | 30 min | Icons & Media Art
Udo Kier walks a black-humored, fine line between avant-garde and trash, which is tantamount to an act of unleashing.