Sudden and Unexpected - A Déjà-Revue (Plötzlich und unerwartet )
1993 | 30 min | Icons & Media Art
Udo Kier walks a black-humored, fine line between avant-garde and trash, which is tantamount to an act of unleashing.
Mara Mattuschka
ActorFilms
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The Statics - Engineering Memory Bridges (Die Statik der Eselsbrücken)
1990 | 20 min | Icons & Media Art
The short film by director Michael Brynntrup is "a superb biography - a pseudo-scientific collection of curiosities with puns turning artistic somersaults." (Abendzeitung, Nuremberg) Relics and tests from an inquiry into prototypes. Formal proof won through pregnant experiments on one's own body.
Loverfilm
1997 | 22 min | Icons & Media Art
"The plots of this film are based on true events. Any resemblance to persons living or dead is not only intentional, but unavoidable. - The viewer also bears responsibility for the images that become public." (Michael Brynntrup) "Noted German experimental filmmaker Michael Brynntrup tantalizes us with his diaristic account of his many lovers. What seems at first to be an extended exercise in ego, gradually becomes a powerful social record of gay life in the years spanning gay liberation and the ...
Narcissus and Echo
1989 | 14 min | Icons & Media Art
Long seemed invalid the Prophet's word, / But honored it was, by the outcome at last: / How odd the madness, how strange a death! (Ovid, Metamorphoses) NARCISSUS AND ECHO, a short film by Michael Brynntrup, is a “delightfully mannered game of deception, honored by the German Film Critics Association as the best experimental film of 1990. A highlight of camp aesthetic.” (Rundbrief Film) The director describes NARCISSUS AND ECHO as a film in the form of a riddle, a special kind of entertainment film ...
Herzsofort.Setzung II (autogene Manipulationen)
1996 | 7 min | Icons & Media Art
Using Super8, CD-ROM, video, color copy, and computer prints, Brynntrup re- and deconstructs a sequence of images spanning ten years through image processing techniques. "Herzsofort.Setzung is an attempt to sensitize the everyday experience and perception determined by technology in such a way that it becomes aware of itself as such, i.e. as perceiving and giving meaning." (Michael Brynntrup)
AIDE MÉMOIRE - ein schwules Gedächtnisprotokoll
1996 | 16 min | Biography
Photographer Jürgen Baldiga (1959-1993) and filmmaker Michael Brynntrup engage in a private discourse and personal investigation into the handling of images of life and death. "AIDE MÉMOIRE recalls a deceased friend in a radically personal way. The intimate, tender gaze of the filmmaker causes a closeness also of the spectators on AIDS disease, death and transience." (Jury statement - International Short Film Festival Oberhausen)
A Space Exodus
2008 | 5 min | Icons & Media Art
A SPACE EXODUS is the first part of Larissa Sansour’s science fiction trilogy along with NATION ESTATE and IN THE FUTURE THEY ATE FROM THE FINEST PORCELAIN. Under the common themes of loss, belonging, heritage, and national identity, the three films each explore different aspects of the political turmoil the Middle East. Using the language of sci-fi and glossy production, Sansour’s trilogy presents a dystopian vision of a Middle East on the brink of the apocalypse. A SPACE EXODUS envisions the ...
Mass Ornaments
2013 | 79 min | Icons & Media Art
The slet was a hybrid socialist spectacle that displayed striking signs of the country’s imminent collapse, which spectators seemingly didn’t “see”. We take the “blind” spectators as the video’s main protagonists.
Bacha Posh
2015 | 29 min | Icons & Media Art
Afghan wisdom says that if you have many daughters, you can raise your youngest as a boy and the next child will be a boy. "Bacha posh" are the names of these girls and Farah Noz is one such girl. But instead of becoming a "girl" again after the birth of her brother, the 14-year-old decided to remain a boy. Elaha is different, she made her own decision to wear men's clothes on the street and find her female role on her own. In their documentary installation, Ginan Seidl and Yalda Afsah show the ...
GDR Experimental: REALFilm
1986 | 47 min | Icons & Media Art
REALFIm is Lutz Dammbeck's radical reflection on film and filmmaking – an experiment that takes place in real time and with the direct involvement of the audience. In a performative experimental set-up, Dammbeck deconstructs the classic elements of the medium in order to “purify” them of ideological and commercial influences. Light, sound and movement are not only understood as technical components, but as fundamental building blocks of an alternative film language. The performance on May 14, 1985 ...
E.K.G. Expositus (the public and the artistic media)
2004 | 101 min | Biography
A hospital in Berlin-Neukölln at midnight. A patient is being admitted. TV journalists are on the scene. The beginning of a story that tells itself. At the beginning of the film a dramatic story is suggested, which in the course of the film develops into a reflection on storytelling. The making of films and images itself comes into view. The handling of images is thematized, visualized and documented on several media narrative levels: from the making of the film (shooting) to the TV coverage of ...