
Asta Upset
By Max Linz
2014 | 84 min | Icons & Media Art
A curator of contemporary art, is in trouble with her sponsors because of remarks she made in a radio interview. Public funding is put on hold.


By Max Linz
2014 | 84 min | Icons & Media Art
A curator of contemporary art, is in trouble with her sponsors because of remarks she made in a radio interview. Public funding is put on hold.

1989 | 14 min | Icons & Media Art
Long seemed invalid the Prophet's word, / But honored it was, by the outcome at last: / How odd the madness, how strange a death! (Ovid, Metamorphoses) NARCISSUS AND ECHO, a short film by Michael Brynntrup, is a “delightfully mannered game of deception, honored by the German Film Critics Association as the best experimental film of 1990. A highlight of camp aesthetic.” (Rundbrief Film) The director describes NARCISSUS AND ECHO as a film in the form of a riddle, a special kind of entertainment film ...

1990 | 20 min | Icons & Media Art
The short film by director Michael Brynntrup is "a superb biography - a pseudo-scientific collection of curiosities with puns turning artistic somersaults." (Abendzeitung, Nuremberg) Relics and tests from an inquiry into prototypes. Formal proof won through pregnant experiments on one's own body.

2004 | 101 min | Biography
A hospital in Berlin-Neukölln at midnight. A patient is being admitted. TV journalists are on the scene. The beginning of a story that tells itself. At the beginning of the film a dramatic story is suggested, which in the course of the film develops into a reflection on storytelling. The making of films and images itself comes into view. The handling of images is thematized, visualized and documented on several media narrative levels: from the making of the film (shooting) to the TV coverage of ...

2013 | 79 min | Icons & Media Art
The slet was a hybrid socialist spectacle that displayed striking signs of the country’s imminent collapse, which spectators seemingly didn’t “see”. We take the “blind” spectators as the video’s main protagonists.

1981 | 12 min | Icons & Media Art
In September 1929, a group of visionary filmmakers gathered at La Sarraz Castle in Switzerland to discuss alternatives to commercial cinema. The participants, including Sergei Eisenstein, Hans Richter, Walter Ruttmann and Luis Buñuel, want to explore new ways of independent filmmaking and challenge the bourgeois narrative film. Lutz Dammbeck takes up this historic meeting and pays artistic tribute to it with DDR-EXPERIMENTAL: HOMMAGE À LA SARRAZ. The film combines documentary elements with experimental ...

2008 | 5 min | Icons & Media Art
A SPACE EXODUS is the first part of Larissa Sansour’s science fiction trilogy along with NATION ESTATE and IN THE FUTURE THEY ATE FROM THE FINEST PORCELAIN. Under the common themes of loss, belonging, heritage, and national identity, the three films each explore different aspects of the political turmoil the Middle East. Using the language of sci-fi and glossy production, Sansour’s trilogy presents a dystopian vision of a Middle East on the brink of the apocalypse. A SPACE EXODUS envisions the ...

1993 | 30 min | Icons & Media Art
A short film by one of Germany's most respected experimental film artists, Michael Brynntrup, featuring one of Germany's unique talents, Udo Kier (MANDERLAY) and filmmaker Mara Mattuschka. "Supported by the eccentric appearance of the 'enfant terrible' Udo Kier, director Michael Brynntrup treads a line between avant-garde and trash - tantamount to breaking free of both. Brynntrup has a distinct sense of humor, black humor, of course." (Catalog Gay Film Festival Freiburg, 1994) To ponder death ...

2013 | 13 min | Icons & Media Art
Yalda Afsahs 3-film-series superimposes fleeting insights into the inner workings of the building spaces of the private and the public, of intimacy and spectacle. In KABATAS, the viewer’s gaze is directed by the movement of the wind occasionally lifting a plastic veil of an Istanbul building. Shot in San Francisco, FILLMORE is a continuation of Yalda Afsah’s close observations of urban spaces. ATLANTEN, shot in Berlin, shows two parts of a viaduct breaching out of a corner building otherwise ...

1984 | 8 min | Shorts
Maren-Kea Freese movie is a rediscovered gem of the Super 8 underground in 1980's West Berlin. The short film is a two-hander showing the absurdities of modern relationships. A man and woman alone in a room with just a boardgame between them. What's the next move?... TREFFPUNKT ER + SIE experiments with wordless acting, editing and ironic use of music to create an offbeat variation of romantic comedies.

1986 | 127 min | Icons & Media Art
A monumental feature film in 35 episodes, shot on Super8. The individual episodes retell the story of the New Testament and were made by a total of 22 filmmakers. The project's own history follows the story of Jesus Christ recruiting his apostles. The film's creator Michael Brynntrup is a central and controversial figure of Berlin's vivid independent community. His transgressive obsessions, as well as his ability to smuggle miles of Russian Super8 film-material through East-West customs, gathered ...