Achtung - Respect (concentration chair)
2002 | 13 min | Icons & Media Art
A look back at body modifications in the early 2000s.
Straps Harry
ActorFilms
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Sudden and Unexpected - A Déjà-Revue (Plötzlich und unerwartet )
1993 | 30 min | Icons & Media Art
A short film by one of Germany's most respected experimental film artists, Michael Brynntrup, featuring one of Germany's unique talents, Udo Kier (MANDERLAY) and filmmaker Mara Mattuschka. "Supported by the eccentric appearance of the 'enfant terrible' Udo Kier, director Michael Brynntrup treads a line between avant-garde and trash - tantamount to breaking free of both. Brynntrup has a distinct sense of humor, black humor, of course." (Catalog Gay Film Festival Freiburg, 1994) To ponder death ...
Herzsofort.Setzung II (autogene Manipulationen)
1996 | 7 min | Icons & Media Art
Using Super8, CD-ROM, video, color copy, and computer prints, Brynntrup re- and deconstructs a sequence of images spanning ten years through image processing techniques. "Herzsofort.Setzung is an attempt to sensitize the everyday experience and perception determined by technology in such a way that it becomes aware of itself as such, i.e. as perceiving and giving meaning." (Michael Brynntrup)
AIDE MÉMOIRE - ein schwules Gedächtnisprotokoll
1996 | 16 min | Biography
Photographer Jürgen Baldiga (1959-1993) and filmmaker Michael Brynntrup engage in a private discourse and personal investigation into the handling of images of life and death. "AIDE MÉMOIRE recalls a deceased friend in a radically personal way. The intimate, tender gaze of the filmmaker causes a closeness also of the spectators on AIDS disease, death and transience." (Jury statement - International Short Film Festival Oberhausen)
The Statics - Engineering Memory Bridges (Die Statik der Eselsbrücken)
1990 | 20 min | Icons & Media Art
The short film by director Michael Brynntrup is "a superb biography - a pseudo-scientific collection of curiosities with puns turning artistic somersaults." (Abendzeitung, Nuremberg) Relics and tests from an inquiry into prototypes. Formal proof won through pregnant experiments on one's own body.
Narcissus and Echo
1989 | 14 min | Icons & Media Art
Long seemed invalid the Prophet's word, / But honored it was, by the outcome at last: / How odd the madness, how strange a death! (Ovid, Metamorphoses) NARCISSUS AND ECHO, a short film by Michael Brynntrup, is a “delightfully mannered game of deception, honored by the German Film Critics Association as the best experimental film of 1990. A highlight of camp aesthetic.” (Rundbrief Film) The director describes NARCISSUS AND ECHO as a film in the form of a riddle, a special kind of entertainment film ...
Kabatas | Fillmore | Atlanten
2013 | 13 min | Icons & Media Art
Yalda Afsahs 3-film-series superimposes fleeting insights into the inner workings of the building spaces of the private and the public, of intimacy and spectacle. In KABATAS, the viewer’s gaze is directed by the movement of the wind occasionally lifting a plastic veil of an Istanbul building. Shot in San Francisco, FILLMORE is a continuation of Yalda Afsah’s close observations of urban spaces. ATLANTEN, shot in Berlin, shows two parts of a viaduct breaching out of a corner building otherwise ...
GDR Experimental: Metamorphosis 1
1978 | 6 min | Icons & Media Art
In 1976, Lutz Dammbeck and five Leipzig artists conceived the interdisciplinary exhibition “Tangente I”, which was intended to serve as a platform for experimental art forms in the GDR. The focus was on collaborative works combining various media such as painting, film and installation. However, before the exhibition could be realized, it was banned by the authorities in 1977 – a typical fate for avant-garde art in the GDR that operated outside the state-regulated framework. Dammbeck did not let ...
A Space Exodus
2008 | 5 min | Icons & Media Art
A SPACE EXODUS is the first part of Larissa Sansour’s science fiction trilogy along with NATION ESTATE and IN THE FUTURE THEY ATE FROM THE FINEST PORCELAIN. Under the common themes of loss, belonging, heritage, and national identity, the three films each explore different aspects of the political turmoil the Middle East. Using the language of sci-fi and glossy production, Sansour’s trilogy presents a dystopian vision of a Middle East on the brink of the apocalypse. A SPACE EXODUS envisions the ...
GDR Experimental: Heracles
1984 | 10 min | Icons & Media Art
Lutz Dammbeck experiments with the boundaries between film, performance and media art. In the early 1980s, he works with dancer Fine Kwiatkowski to develop elements for his planned media collages – a central element of his “Herakles Concept”. This multi-layered project explores myths and political systems and their impact on society. In 1984, Dammbeck moved into an independent art space on Sredzkistraße in East Berlin, which was run by art historian Eugen Blume and artists such as Hans Scheib and ...
Mass Ornaments
2013 | 79 min | Icons & Media Art
The slet was a hybrid socialist spectacle that displayed striking signs of the country’s imminent collapse, which spectators seemingly didn’t “see”. We take the “blind” spectators as the video’s main protagonists.