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Torsten Michaeli

Actor
Torsten Michaelis was born on January 31, 1961, in East Berlin and died on August 17, 2025, at the age of 64. After studying acting at the Ernst Busch Academy of Dramatic Arts in Berlin (1983-1987), he began his career in theater and soon moved on to film and television. Michaelis worked both as an actor and as a sought-after dubbing and audiobook narrator. His voice was particularly memorable as the German voice of stars such as Wesley Snipes, Martin Lawrence, Sean Bean, and Benicio del Toro. He appeared in numerous television crime dramas, including the long-running series Tatort as Criminal Director Stefan Bitomsky (2007 to 2012). An important feature film in his filmography is DIE HAUT DER ANDEREN (2018), directed by Thomas Stiller. In this drama, Michaelis plays the role of Eric. Other selected cinema productions include Mein Führer – Die wirklich wahrste Wahrheit über Adolf Hitler (2007) and Frantz (2016). His work in dubbing and audiobooks has won several awards, including the Hörspiel-Award Hörbuch des Jahrzehnts (Audiobook of the Decade Award) for his reading of H.P. Lovecraft's Der Flüsterer im Dunkeln (The Whisperer in Darkness). Michaelis lived in Berlin, was married, and leaves behind a diverse body of work in front of and behind the camera, as well as behind the microphone.

Films

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Therapie

Therapie

2016 | 120 min | Thriller

Alia is fresh out of prison and has to undergo therapy and keep a video diary. But her therapist doesn't seem to have the best of intentions. Felix Charin, co-author for the series 4 Blocks, worked for six months in a youth detention center in Berlin to research his feature film debut THERAPIE. In this gripping psychothriller, the boundaries between normality and illness blur. Alia (Taneshia Abt) is released from prison after five years of juvenile detention. However, she must undergo a court-prescribed ...

The Dreamed Ones

The Dreamed Ones

2016 | 89 min | Documentary

The correspondence between Ingeborg Bachmann and Paul Celan forms the basis of the text. The story begins in Vienna in 1948, when she is 22 and he 27, and ends with Celan's suicide in 1971 in Paris. Two young actors, Anja Plaschg and Laurence Rupp, meet in a recording studio to read from their correspondence. The dramatically fluctuating feelings of the letters - between intoxication and fear of loss, delight and horror, closeness and strangeness - are passed on to the actors.

My Partners

My Partners

2024 | 97 min | Documentary

MY PARTNERS is an intimate documentary portrait of people searching for ways to live and love beyond conventional monogamy. Observing several polyamorous relationships, the film explores desire, tenderness and the ongoing challenge of making space for more than two people within a partnership. Kay and Beate have been married for more than 30 years, yet their summer in the Baltic countryside is shaped by a new openness. That openness includes Marianne, who lives in Tallinn with her two children and ...

The Grass is Greener Everywhere Else

The Grass is Greener Everywhere Else

1989 | 78 min | Drama

Warsaw 1988: Jerzy wants to go to the West. His destination is America. But his money is only enough for Berlin for the time being. There he meets Ewa again, whom he met on his last day in Poland. The two become closer. They all take jobs and have little time for each other. Nevertheless, there are some moments of happiness, until Ewa disappears without leaving an address. "Everywhere is better where we are not" - the title is a Polish proverb found on the walls of houses in Warsaw in 1981 after ...

On The Edge

On The Edge

2013 | 91 min | Romance

Felix is on the edge. He has got just one thing on his mind: Valerie - his wife, who has recently left him. He returns to the place of their final break-up. Valerie's ex-lover Thomas is also here, but not for sentimental reasons. By chance the two men meet in a restaurant. By chance Felix discovers who he is facing. And then starts the inscrutable game.

The Portuguese Nun

The Portuguese Nun

2009 | 121 min | Drama

A young French actress who is in Lisbon to shoot a movie is intrigued by a nun she sees kneeling in the chapel where she is filming. "THE PORTUGUESE NUN has both wit and feeling. The director explores the collision of eros and religion in a way that is both cerebral and sensual." (New York Times) Left to her own devices by a director (Green himself), Julie wanders the streets and has encounters with a series of male archetypes including a needy child (Mozos), a faithless husband (Michaux) and a ...