Kim Münster: Producing is not just about raising money and writing shooting schedules. For Kim Münster, it's a creative process—full of risk, trust, and having each other's backs. For ten years, she has run her production company Treibsand Film, creating spaces where cinematic visions can come to life without being held back.

Kim Münster | SOONER BLOG

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Freedom for Visions: KIM MÜNSTER on Producing Without Holding Back

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Producing is not just about raising money and writing shooting schedules. For Kim Münster, it's a creative process—full of risk, trust, and having each other's backs. For ten years, she has run her production company Treibsand Film and builds spaces where cinematic visions can be realized without being slowed down.

After studying cinematography in Dortmund, she began early on to produce her own projects and take on responsibility in productions. Today, she works on documentary formats, hybrid short films, and educational projects—always with a social focus and a distinctive artistic style.

For her, producing doesn't mean control, but enabling. She sees her role as a creative partner who protects visions, empowers teams, and shares risks—financially, artistically, and structurally. Producers, to her, are the ones who make films possible and have people's backs, rather than slowing them down.

Alongside her production work, Kim is involved in film policy—in Filmbüro NW and in the Dokomotive collective. There, she advocates for fair structures, visibility, and film as a cultural asset. One of her focuses: children's film as an influential medium for future generations, which often gets overlooked in funding strategies and needs more attention.

In the Soonercast, Kim talks about her early days between camera, directing, and producing, about unexpected company founding moments, about responsibility towards teams—and about why female producers are often the bravest people on set.

Jannis Alexander Kiefer is one of those filmmakers who approaches the world with a keen eye—never preachy, but always precisely observant. Raised on a farm, he studied Audiovisual Media and later Directing at the Filmuniversität Babelsberg. His films navigate the line between satire and social study, between reality and staging. Whether winning the Deutscher Kurzfilmpreis or with his most recent feature film ANOTHER GERMAN TANK STORY: Kiefer sees cinema as a space of friction—where the absurd suddenly tips into the real.

Jannis Alexander Kiefer on interfilm | SOONER BLOG

No Preview Film: Short Film Is Cinema – Jannis Alexander Kiefer on interfilm 

In conversation, he discusses why short film is not a stepping stone for him, but rather an independent format. It’s a space that allows artistic freedom, yet is often overlooked. With his agency shortlisted, Kiefer works to strategically integrate short films into the festival circuit—not as prestige projects, but as a distinct storytelling form. The fact that his film MEETING 2020 won the Deutscher Kurzfilmpreis was less a finish line and more a door opener for him: for conversations, new ideas, and the realization that lasting impact can also be made with short formats.

In his debut feature film ANOTHER GERMAN TANK STORY, Kiefer expands on these ideas. The film is set in a village where an American film crew is shooting a historical drama, and suddenly the boundary between memory, performance, and the present becomes thin and blurred. It’s a satirical reflection on historical cinema, on the mechanisms of filmmaking, and the German perspective on history. Kiefer tells it with humor, sharpness, and a real pleasure in ambiguity—just like all his films, which ask more questions than they answer.

Discover ANOTHER GERMAN TANK STORY by Jannis Alexander Kiefer

Agnieszka Holland is considered one of the most uncompromising voices in European cinema. Between Poland, the Czech Republic, and Germany, she has spent over fifty years portraying stories about morality, power, and the question of what truth means when systems try to control it. On the occasion of the theatrical release of her new film Franz K., this Soonercast takes a look at Holland's cinematic world—from her Prague years to SZARLATAN, which is now available on Sooner.

Agnieszka Holland | SOONER BLOG

New in Theaters: Franz K. by Agnieszka Holland

Agnieszka Holland is considered one of the most uncompromising voices in European cinema. Between Poland, the Czech Republic, and Germany, she has spent over fifty years telling stories about morality, power, and the question of what truth means when systems want to control it.

To mark the theatrical release of her new film Franz K., this Soonercast takes a look at Holland's cinematic world—from her Prague years to CHARLATAN, which is now available on Sooner.

From Loyalty to Self-determination: Two Women, Two GDRs. Two female protagonists, two eras, two GDRs. Today is German Unity Day. We're taking a look back at cinema from the GDR. In this essay episode, we discuss Rita from DER GETEILTE HIMMEL (1964) and Sunny from SOLO SUNNY (1980) – two film characters who shape the image of women in DEFA cinema in very different ways.

defa-women | SOONER BLOG

Two female protagonists, two eras, two GDRs. Today is German Unity Day. We're taking a look back at cinema from the GDR.

From Loyalty to Self-determination: Two Women, Two GDRs

In this essay episode, we discuss Rita from DER GETEILTE HIMMEL (1964) and Sunny from SOLO SUNNY (1980) – two film characters who shape the image of women in DEFA cinema in very different ways.

While Rita is considered the moral heroine of the early GDR, prioritizing loyalty over personal happiness, Sunny embodies a late, fractured reality: headstrong, pop-cultural, and nonconformist.

For German Unity Day, we're focusing on DEFA as a state-controlled yet surprisingly multifaceted film culture, in which female characters were often portrayed more complexly and modernly than one might expect from socialism.

Both films are available on Sooner. Enjoy the episode!

Natalie Macmahon: With this sentence, Natalie MacMahon sums up her understanding of filmmaking. Without a big budget, but with courage, independence, and a strong team, she made her first short films—and has been following her own path ever since: from acting and directing to screenwriting and festival work.

Natalie Macmahon | SOONER BLOG

With this sentence, Natalie MacMahon sums up her approach to filmmaking. Without a big budget, but with courage, independence, and a strong team, she made her first short films—and has followed her own path ever since: from acting and directing to screenwriting and festival work.

Today, many know her as the founder of the Female Filmmakers Festival Berlin. A festival that arose because Natalie quickly realized: women are underrepresented in the film industry—and even when they gain visibility, it often comes with narrow stereotypes. With the festival, she creates space for diversity: films by women that are not reduced to feminist themes, but cover all genres—from sci-fi to romcom, from drama to experimental film.

In the Soonercast, we talk to her about different facets of her work: her journey from idea to finished film, the structures that still hold women back in German cinema, and the festival as a place for connections, community, and feminist perspectives.

The conversation shows: Natalie MacMahon is a filmmaker, festival director, and advocate for more courage in the German film industry.

Greta Gerwig has established herself as one of the most influential filmmakers of our time. In 2023, her groundbreaking success “Barbie” made her the first female solo director to break the billion-dollar mark at the box office.

The best Greta Gerwig movies: a must for every movie lover

Greta Gerwig has established herself as one of the most influential filmmakers of our time. With her groundbreaking success “Barbie” in 2023, she made history as the first female solo director to break the billion-dollar mark at the box office. Her unique vision and artistic sensibilities have left a lasting impact on the film landscape.

From her stunning directorial debut “Lady Bird” to her acclaimed reimagining of “Little Women,” Gerwig demonstrates her extraordinary versatility as a filmmaker. Her works, which have been praised by critics and audiences alike, feature profound character development and contemporary storytelling. This compilation of her best films offers a comprehensive insight into the work of one of today's most important directors.

Lady Bird: Gerwig's Groundbreaking Directorial Debut

In 2017, Greta Gerwig presented her impressive directorial debut, Lady Bird, which took the film world by storm. The coming-of-age story, starring Saoirse Ronan, is characterized by sharp-witted dialogue and a profound character development.

The story centers on Christine McPherson, who has given herself the name “Lady Bird” – a rebellious teenager from Sacramento who dreams of a life beyond her hometown. The complex relationship between Lady Bird and her mother (played by Laurie Metcalf) forms the emotional heart of the film. Their dynamic is characterized by intense arguments, which at the same time testify to deep affection.

The film received remarkable recognition:

Gerwig draws on her own experiences in Sacramento, but emphasizes that the film is not an autobiographical narrative. Rather, she authentically captures universal themes such as growing up, family ties and the desire for self-discovery. The skillful balance between humorous moments and emotional depth makes “Lady Bird” a pioneering work that established Gerwig's unique directorial approach.

Discover Greta Gerwig's movies on Sooner.de!

Hannah, fresh out of college, spends her summer falling in and out of love, leaving a trail of devastation in her wake. She breaks hearts and is chronically unsatisfied. She breaks up with her freshly unemployed boyfriend and finds herself attracted to two of her colleagues, Matt and Paul.

Four unsuccessful actors go to a cabin in the woods to write a script, but their script suddenly becomes bitter reality. The group consists of Matt, his longtime girlfriend Catherine, who he keeps leaving, his buddy Chad and Chad's girlfriend Michelle. They quickly decide to base their film idea on a dream that one of the quartet recently had. In it, a person wearing a brown paper bag over their head enters a house.

Mattie (Greta Gerwig) and James (Joe Swanberg) are deeply in love. But the distance between them has taken its toll. As they struggle with the distance between New York and Chicago, their visits remind them more of the difficulties than the beautiful aspects of their relationship. Joe Swanberg and Greta Gerwig follow up HANNAH TAKES THE STAIRS with NIGHTS AND WEEKENDS, an intimate portrayal of longing and confusion. This time, Swanberg stars alongside Gerwig, and Gerwig co-directs with Swanberg. 

Little Women: A Contemporary Adaptation of the Classic

Greta Gerwig has given the literary classic “Little Women” a new lease of life with an innovative narrative structure. The 2019 adaptation of Louisa May Alcott's novel is captivating thanks to its non-chronological narrative style, which presents the story of the March sisters in a completely new perspective.

The cast is top-notch: Saoirse Ronan embodies the rebellious writer Jo March, while Emma Watson, Florence Pugh and Eliza Scanlen bring her sisters to life. Laura Dern as Marmee and Meryl Streep as Aunt March complete the impressive ensemble.

Gerwig gives the classic material a contemporary feminist touch. The film openly addresses the economic constraints and creative ambitions of women in the 19th century. Particularly noteworthy is the portrayal of Jo's literary ambitions and Amy's astute analysis of marriage as an economic institution.

The Academy honored Gerwig's vision with six Oscar nominations:

With a 95% critic consensus rating on Rotten Tomatoes, “Little Women” established itself as one of the most significant films of 2019 and solidified Gerwig's position as a visionary director.

The summer of 2023 marked a historic turning point in Greta Gerwig's career. With “Barbie,” she made film history as the first female solo director to break the magical $1 billion box office barrier. The film, starring Margot Robbie and Ryan Gosling, exceeded all expectations and set several notable records:

$155 million in its opening weekend in the US

Highest grossing film directed by a woman

Fastest Warner Bros. film to reach the billion mark

Beating Christopher Nolan's “The Dark Knight” record

But the pink success story is more than just a commercial triumph. Gerwig constructed a multi-layered social critique in the form of a dazzling plastic world. Matriarchy reigns in “Barbie Land” – the Barbies are presidents, doctors and judges, while the Kens are mere accessories.

The film skillfully balances entertainment and depth. Critics particularly honor Gerwig's ability to convey serious topics such as feminism and identity with humorous ease. With a critics' rating of 89% on Rotten Tomatoes, the film is not only a crowd favorite, but also an artistic success.

In Germany, the film attracted over 6 million viewers and grossed more than 55 million euros. These figures underscore Gerwig's extraordinary ability to appeal to both mainstream audiences and critics.

Greta Gerwig's impressive filmography shows an extraordinary artistic development – from the acclaimed indie drama “Lady Bird” to the innovative literary adaptation “Little Women” and the groundbreaking blockbuster “Barbie”. Her ability to master different genres and to inspire both critics and the general public makes her a unique voice in contemporary cinema. Watch Greta Gerwig's films on Sooner.de and see for yourself how she combines complex topics with ease and depth.

This remarkable success story marks a turning point for the film industry and opens doors for future generations of female filmmakers. Gerwig's work stands for courageous storytelling that combines social relevance with artistic ambition. With each new project, she proves that great cinema knows no bounds - neither in terms of genre nor commercial expectations.

Discover exclusive films and series that move and inspire.

Who’s actually behind the Soonercast?
Sometimes, it all starts with a newsletter about cultural events in Berlin. And suddenly, you find yourself writing texts for a streaming platform and hosting conversations with directors.

Who’s Behind the Soonercast | SOONER BLOG

A Personal Episode About Writing, Films, Detours, and How Stories Come Together.

Sometimes, it all starts with a newsletter about cultural events in Berlin. And suddenly, you find yourself writing texts for a streaming platform and hosting conversations with directors.

In this special episode, I, Julia, share how I found my way to the Soonercast, why film is the ultimate medium for me—and why SOONER remains a special place for independent cinema.

A personal episode about writing, films, detours, and how stories come together.

Detlef Bothe: Actor, director, or host. He is a man who explores new creative territories with every role he takes on and constantly pushes boundaries. Whether as a villain in a Bond film, as a director of ambitious indie productions, or as a host – Detlef Bothe forges his own path. Always driven by a desire to tell new stories, create complex characters, and reinterpret film as a medium. His versatility is not just a matter of skill, but also a philosophy: He is not part of an industry, but a creative free spirit who brings his projects into the world with heart and vision.

Detlef Bothe | SOONER BLOG

Detlef Bothe: From Blockbuster to Indie Revolution – A Filmmaker Who Always Finds New Paths

How did he get to where he is today? That’s what our conversation on Soonercast is about:

His journey began in the theater, but the call of film proved stronger – and so he soon found himself in productions that offered him a broader stage. The leap from major studio films like James Bond to personal, often ambitious indie works was a conscious step for Detlef Bothe to further develop himself. Films like DEINE SCHÖNE HÖLLE and EVA S – DIE NATIONALISTIN show his passion for dark, psychologically complex stories and his courage to address issues that are too often taboo in mainstream society. Especially in DEINE SCHÖNE HÖLLE, the toxic relationship between the main characters becomes one of the central themes that challenge us emotionally.

For Detlef Bothe, it’s not just about the surface of film, but about how stories can reflect and change people’s lives and the world around us. In a field that is increasingly shaped by commercial interests and conventions, Detlef Bothe remains an outsider who is always looking for new ways to make a difference with his films. This willingness to take risks and to engage with difficult topics such as toxic relationships makes his career unique and his films an inexhaustible source for discussion and reflection.

Discover Detlef Bothe's Curated Film Selection

In the SOONERCAST, Laetitia Masson talks to Sebastian Urzendowsky about her work and her new film SUMMER FROST (with Clémence Poésy), which will soon be shown on SOONER and promises to be an extraordinary film experience.

Laetitia Masson | SOONER BLOG

Laetitia Masson talks to Sebastian Urzendowsky about her work on the SOONERCAST.

Laetitia Masson's new film SUMMER FROST (with Clémence Poésy) will soon be shown on SOONER.

SUMMER FROST: When love and power are put to the test

Laetitia Masson's new film SUMMER FROST (with Clémence Poésy) will soon be shown on SOONER and promises an extraordinary film experience. The film shows in a poetic and visually stunning way how ten strangers meet during an unusual cold spell in summer in France. These encounters, imbued with intense emotions and self-reflection, paint a haunting portrait of the human soul. In an episodic structure, Masson interweaves themes such as loneliness, love and the search for connection against a surreal backdrop.

In SOONERCAST, Masson talks to Sebastian Urzendowsky about her work. The interview was held in French, the subtitled version can be seen on YouTube. She sees her films less as political statements than as in-depth explorations of the human condition. Although she does not see herself as a feminist filmmaker, her characters are often lonely figures in search of love, which they confuse with attachment. A central motif in her films is the triad of love, work and money. SUMMER FROST (with Clémence Poésy) impressively embodies these profound themes.

On 09.09. SUMMER FROST will be screened at Cinema Paris in the presence of Laetitia Masson. This special screening offers a rare opportunity to experience the film on the big screen and meet the director in person. Listen to the full interview on SOONERCAST to find out more about the background to this fascinating work and Masson's world of thought. Stay tuned for the launch of SUMMER FROST on SOONER soon.

Discover the curated selection of films by Laetitia Massons

After graduating from the Ernst Busch Academy in 2003, Hüller began her career in the theater. Instead of staying in Berlin, she opted for an engagement at a theater southwest of Leipzig.

Sandra Hüller: Career and successes

Sandra Hüller: Career and successes at a glance

Sandra Hüller has established herself as one of the most impressive actresses of her generation. With her extraordinary talent and versatile performance artistry, she has captured the attention of critics and audiences alike. Her career spans theater, television and film, and she has delivered remarkable performances in each of these art forms.

Watch Sandra Hüller's movies on Sooner.de!

Sandra Hüller was born on April 30, 1978 in Suhl, Thuringia, and grew up in the small town of Friedrichroda. As a child of the former GDR, she experienced a childhood that was shaped by the political and social conditions of the time. Her parents both worked in education, which may have sparked her interest in art and culture at an early age. The fall of the Berlin Wall during her youth had a formative influence on her development.

At the age of 17, Hüller ventured to Berlin, where she applied to the renowned Ernst Busch Academy of Dramatic Arts and was accepted. This decision marked the beginning of her professional acting career. During her training, she already showed her extraordinary talent and her willingness to take artistic risks. One example of this was her innovative interpretation of Juliet's monologue from “Romeo and Juliet”, in which she portrayed the role in an unconventional way.

After graduating from the Ernst Busch Academy in 2003, Hüller began her career in the theater. Instead of staying in Berlin, she opted for an engagement at a theater southwest of Leipzig. This move allowed her to develop and refine her skills away from the Berlin limelight. She then moved to Switzerland, where she joined the Theater Basel ensemble.

Hüller's talent was quickly recognized and she received important awards. In 2003, the year she graduated, she was named best young actress by the trade magazine “Theater heute”. This was the beginning of a series of accolades that recognized her outstanding performances on stage.

Her portrayal of Gretchen in Goethe's “Faust” at the Schauspielhaus Basel in 2002 was particularly noteworthy and earned her great recognition. This role demonstrated early on her ability to embody complex characters with depth and nuance.

Despite her later success in film, Hüller remained loyal to the theater. She regularly returned to the stage and proved her versatility in various productions. Her dedication to theater and her continuous development as an actress laid the foundation for her later successful career in film and television.

Early film roles Sandra Hüller began her film career after a successful time in the theater. She made her screen debut in 2006 in Hans-Christian Schmid's film “Requiem”. In this film, she played the lead role of Michaela Klingler, a young woman from a strict Catholic family who suffers from epileptic seizures and believes she is possessed by demons. This role was an enormous challenge, as she had to embody a complex and emotionally charged character.

Hüller's performance in “Requiem” was so convincing that she immediately attracted the attention of critics and audiences alike. Her performance was described as “harrowing and haunting”. For this role, she was awarded the Silver Bear for Best Actress at the 56th Berlin International Film Festival. This marked a significant milestone in her career and opened the doors to further challenging roles in German and international cinema.

Director Hans-Christian Schmid recalled how impressed he was by Hüller's talent at the audition: “You could see everything in her face, even the tears. It was clear even then that she was incredibly creative. Someone with less talent plays almost the same thing over four takes. Sandra has a lot of imagination, she always comes up with new ideas”.

Establishment as a leading German actress

After her breakthrough with “Requiem”, Sandra Hüller cemented her reputation as one of Germany's leading actresses. She continued to take on challenging roles and proved her versatility in both theater and film. However, her international breakthrough only came a decade later with her role in Maren Ade's comedy “Toni Erdmann” (2016).

“Toni Erdmann” became a critical and commercial success and brought Hüller international recognition. The film was nominated for an Oscar for Best International Film and cemented Hüller's position as one of the most remarkable actresses of her generation.

In the years that followed, Hüller continued her impressive career, taking part in various projects that proved her versatility. She starred in films such as “Sisi & I” (2023) and received a nomination for the German Film Award for Best Actress for her performance.

The highlight of her career to date came in 2023 with two films that premiered at the Cannes Film Festival: “Anatomie d'une chute” by Justine Triet and “The Zone of Interest” by Jonathan Glazer. For her performance in “Anatomie d'une chute”, she won her second European Film Award for Best Actress and received nominations for the Oscar, the Golden Globe and the BAFTA Film Award.

Sandra Hüller's international breakthrough came with her role in Maren Ade's comedy “Toni Erdmann” in 2016. The film, which premiered at the Cannes International Film Festival, brought the German actress worldwide recognition. Hüller embodied the character of Ines Conradi, an ambitious management consultant who has difficulty dealing with her unusual father. Her nuanced portrayal of a woman torn between professional success and personal relationships was highly praised by critics.

“Toni Erdmann” is considered one of the best films of the 2010s and brought Hüller international attention. Her performance in the film earned her her first European Film Award for Best Actress. The complexity of her role was particularly evident in scenes such as the improvised karaoke performance of Whitney Houston's “The Greatest Love of All”, in which Hüller demonstrated her vocal talent while revealing the emotional depth of her character.

The year 2023 marked a high point in Sandra Hüller's career. She played leading roles in two films that competed for the Palme d'Or at the 76th Cannes Film Festival. In Justine Triet's French courtroom drama “Anatomie d'une chute”, Hüller played the role of Sandra Voyter, a writer and mother accused of murder. The film won the Palme d'Or, the festival's highest award.

At the same time, Hüller appeared in Jonathan Glazer's Holocaust drama “The Zone of Interest”, in which she played Hedwig Höss, the wife of Auschwitz commandant Rudolf Höss. This film was honored with the Grand Jury Prize, the second highest award in Cannes. The fact that Hüller played leading roles in two award-winning films underlined her versatility as an actress and cemented her reputation on an international level.

Sandra Hüller's impressive performances in “Anatomie d'une chute” and “The Zone of Interest” led to a number of nominations for prestigious film awards. At the 2023 European Film Awards, she became the first actress in the history of the prize to receive a double nomination in the Best Actress category. She won the award for her role in “Anatomie d'une chute”.

Her performances also brought her international recognition. Hüller was nominated for a Golden Globe for Best Actress in a Drama. She also received nominations for the British Academy Film Awards (BAFTA) for both Best Actress in a Leading Role and Best Supporting Actress - a rare accolade that underlines her versatility.

The highlight of her career to date came with her nomination for the Academy Award for Best Actress in a Leading Role for “Anatomie d'une chute”. This nomination is particularly notable as it was for a performance in a non-English language film. Hüller's ability to portray complex characters in different languages and cultural contexts has made her one of the most sought-after actresses of her generation.

Discover the movies of Sandra Hüller on Sooner.de!

Sandra Hüller plays the main character Lena Ferben, who loses her entire memory following a rare neurological disease. With no memories of her former life, she has to rediscover her identity and relationships with family and friends. As Lena tries to navigate her familiar yet strange surroundings, she asks fundamental questions about her own personality and the influences of her past. The film explores profound themes such as identity, self-discovery and the importance of memories for one's own being.

Sandra Hüller plays the main character Martha, whose life falls apart after the sudden death of her husband Paul. When she learns that Paul led a secret double life, she sets out on a search for answers. In the process, she meets Alexander, a man who looks strikingly similar to Paul, and a complex relationship develops between them. The film deals with loss, identity and the question of how well you know the people you love.

Sandra Hüller plays the main character Rita, a young woman with a chaotic life. She is the mother of several children from different fathers and struggles with her responsibilities as a mother as well as her need for freedom. After a long absence, she returns to her family and has to confront complicated relationships and her own past. The film paints an intense portrait of a woman in search of identity, belonging and self-determination.

Sandra Hüller has developed a unique approach to selecting and preparing for her roles. For the actress, it is an unconscious process that begins as soon as she decides on a project. She describes it as being constantly surrounded by the role: “No matter what I do, where I go, I see people or hear music, it's in relation to it.” This intuitive approach allows Hüller to immerse herself deeply in her characters without consciously focusing on them.

For certain roles, such as in “Anatomie d'une chute”, intensive language preparation was required as Hüller had to improve her French. She sees this as an opportunity to overcome boundaries: “It's no longer so important that someone speaks without an accent, nor are these boring ideas of perfection.” This openness to linguistic and cultural diversity is reflected in Hüller's ability to work in different languages and contexts.

Working with directors is an essential aspect of Hüller's artistic process. She particularly appreciates working with directors who give her creative freedom. One example of this is her work with Jonathan Glazer on “The Zone of Interest”. Hüller describes how Glazer gave the actors a lot of freedom: “Sometimes we didn't even know exactly where the cameras were. He basically left us alone with the characters and the story.”

This kind of collaboration allows Hüller to delve deeper into her roles and create authentic portrayals. She emphasizes the importance of mutual trust between actor and director: “There was an indescribable amount of freedom you have as an actor because you don't have to think about lighting and markings.”

Sandra Hüller has her roots in the theater and continues to maintain a close connection to the stage. She particularly appreciates the rehearsal process in the theater: “I really like this process, the routine of six or eight weeks together in the same room. The shared thinking, the trying, the failing and how much the body is involved. I just love it.”

Despite her success in film, Hüller regularly returns to the theater. She sees the theater as a safe place where she feels comfortable and knows what she is doing. This balance between theater and film allows her to explore and develop different aspects of her art.

Hüller sees acting as a kind of laboratory in which she can explore the workings of humanity and people. This attitude is reflected in her approach to different roles, whether on stage or in front of the camera. She emphasizes: “It has always seemed like a kind of laboratory and field of exploration to find out how humanity works, how people work.”

This balanced approach to her art has enabled Sandra Hüller to deliver exceptional performances in both theater and film and to continuously develop herself further. Her artistic philosophy, based on intuition, collaboration and constant exploration, has made her one of the most sought-after actresses of her generation.

Sandra Hüller's impressive career demonstrates her extraordinary versatility as an actress. From theater to German films to international productions, she has always impressed with profound and nuanced performances. Her recent successes, particularly her Oscar nomination for “Anatomie d'une chute”, underline her status as one of the most outstanding actresses of her generation. Hüller's ability to embody complex characters in different languages and cultural contexts has made her a sought-after artist.

Hüller's artistic approach, based on intuition, close collaboration with directors and a balance between theater and film, has contributed significantly to her success. Her willingness to push boundaries and constantly evolve promises an exciting future for this extraordinary actress. Sandra Hüller's career is not only a success story, but also an inspiration for aspiring artists striving to gain a foothold in the film world while remaining true to their artistic vision. 

Question: Who is the father in the movie “Toni Erdmann”, in which Sandra Hüller plays a role?

Answer: In the 2016 film “Toni Erdmann” by Maren Ade, Peter Simonischek and Sandra Hüller play father and daughter. It is a comedic family drama that premiered in May 2016 in competition at the 69th Cannes Film Festival.

Question: Which films has Sandra Hüller appeared in?

Answer: Sandra Hüller's notable films include “Requiem” (2006), “Über uns das All” (2011), “Toni Erdmann” (2016), “In den Gängen” (2018), the Oscar-winning “Anatomy of a Case” (2023) and the upcoming comedy “Zwei zu Eins” (2024), which deals with the end of the GDR mark.

Question: How many children does Sandra Hüller have?

Answer: Sandra Hüller lives in Leipzig-Plagwitz and Bochum and is the mother of a daughter. In June 2024, she also took over the sponsorship of the ship Sea-Eye 5, which offers help to refugees in the Mediterranean.

Question: What languages does Sandra Hüller speak?

Answer: Sandra Hüller speaks German as her mother tongue, is fluent in English and has a basic knowledge of French. She was born in Suhl, Germany, in 1978 and lives in Leipzig, Saxony.

Discover exclusive films and series that move and inspire. 

The Berlinale program is online! Discover the journey of the Berlinale Talents with Sooner. The Berlinale is just around the corner, and with it a number of films and directors that are not only competing for the coveted prizes, but can also be found on the Sooner platform. This exciting intersection between one of the world's largest film festivals and Sooner's curated selection offers film lovers an exclusive opportunity to discover more and deepen their festival experience. In this blog post, we'll show you the fascinating overlaps between the two and how you can extend the Berlinale atmosphere to Sooner.

The Berlinale program is online! Discover the journey of the Berlinale Talents with Sooner

Discover the Journey of the Berlinale Talents With Sooner

The Berlinale is just around the corner, and with it a number of films and directors that are not only competing for the coveted prizes, but can also be found on the Sooner platform. This exciting intersection between one of the world's largest film festivals and Sooner's curated selection offers film lovers an exclusive opportunity to discover more and deepen their festival experience. In this blog post, we'll show you the fascinating overlaps between the two and how you can extend the Berlinale atmosphere to Sooner.

Berlinale Competition: “The Blue Trail” and “Time Stamp”

One particularly exciting highlight of the Berlinale program is the competition in which director Gabriel Mascaro's “The Blue Trail” is represented. This film is perfectly aligned with the series of outstanding works that also includes Mascaro's earlier films NEON BULL and DIVINE LOVE. Both works are available on Sooner and offer a deep insight into Mascaro's unique narrative style and visual aesthetic. Those who watch the high-caliber films at the Berlinale Palast this year can look forward to an unforgettable cinematic experience.

Also in the competition is “Time Stamp” by Kateryna Gornostai, who already caused a stir with her award-winning film STOP-ZEMLIA. “Time Stamp” is another example of Gornostai's talent for illuminating complex human relationships in a documentary, almost intimate style. On Sooner, you'll also find STOP-ZEMLIA, a film that impressively captures the coming-of-age experiences of a young woman in Ukraine.

Berlinale Panorama: “Delicious”, “Other People’s Money” and “Paul”

The Panorama section of the Berlinale also offers exciting discoveries. A particular highlight of the Berlinale program is “Delicious”, the debut film by actress Nele Mueller-Stöfen as a director. Nele, who gives an impressive acting performance in ALL MY LOVING as Sooner, shows in her own film her ability to switch between the roles of actress and director. “Delicious” will surely enrich the Berlinale, and those who have already seen Nele on Sooner will await her debut film with even more enthusiasm. Those who watch this premiere at the Berlinale Palast can look forward to an unforgettable experience when the film team is greeted with applause and recognition.

We would also like to highlight “Other People's Money” by Jan Schomburg, which can also be seen in the Panorama section. Jan Schomburg is a creative mind whose films fascinate with their emotional depth and stylistic sophistication. On Sooner, you can find two of his works: ABOVE US ONLY SKY with Sandra Hüller in the leading role – and the equally moving film LOSE MY SELF, starring Sandra Hüller, Ronald Zehrfeld and Johannes Krisch.

Another impressive film in the Panorama section is “Paul” by Denis Côté, who dives deep into the human psyche in his exploration of it. For Côté fans, Sooner also offers the opportunity to discover more of his work – for example, in THAT KIND OF SUMMER, a film that also features his characteristic blend of poetic storytelling and in-depth analysis of human nature.

Berlinale Forum: “Ancestral Visions of the Future” and “The Kiss of the Grasshopper”

The Berlinale Forum is known for its avant-garde and profound films, which often open up new perspectives on the world. A particularly noteworthy film in this section is “Ancestral Visions of the Future” by Lemohang Jeremiah Mosese, whose earlier work MOTHER, I AM SUFFOCATING. THIS IS MY LAST FILM ABOUT YOU is also available on Sooner. Mosese manages to address universal themes such as home and loss in a deeply personal yet global way.

Another fascinating work in the Forum is “The Kiss of the Grasshopper” by Elmar Imanov, who is known for his striking visual language and emotional narratives. Imanov is already represented in the Forum with THE SWING OF THE COFFIN MAKER, a film that poetically interweaves the themes of death and life.

Not to be forgotten is the film “Eighty Plus” by Želimir Žilnik, which addresses the challenges of life in old age and achieves remarkable depth in doing so. There is already a film by him available on Sooner: THE MOST BEAUTIFUL COUNTRY IN THE WORLD, which offers an equally moving and socially critical look at Yugoslavian society.

Berlinale Palast – Hollywood Feeling and More

Whether at the neighborhood cinema or at the Berlinale Palast – the feeling of being part of the world's largest film festival is indescribable. In particular, the red carpet in front of the Berlinale Palast offers visitors a true Hollywood feeling and unforgettable memories. But for those who can't be there in person, Sooner offers a fantastic way to experience the Berlinale by discovering the films of this year's event from the comfort of your own home. So you can enjoy the flair of the Berlinale Palast and the many magical moments right in your living room.

With these fascinating overlaps, the 2025 Berlinale will not only feature exciting premieres and world premieres, but Sooner will also offer a deeper dive into the works of directors and actors represented at both events. As you explore the Berlinale program and search for special films, you can discover many of these works directly on Sooner, extending your festival experience in a whole new way. The Berlinale and Sooner – a perfect combination for film fans who want more.

Theodore John Kaczynski, better known as the "Unabomber," was a notorious American domestic terrorist who carried out a series of mail bombings between 1978 and 1995. His actions resulted in the deaths of three individuals and injuries to 23 others. Kaczynski's motives were rooted in his deep-seated opposition to modern technology and its perceived negative impact on society and the environment.

The Unabomber's Influence: Exploring Ted Kaczynski's Connection to LSD and the Internet

Introduction to Ted Kaczynski and his background

The Unabomber case and its impact on society

The Unabomber case captivated the nation for nearly two decades, as law enforcement agencies struggled to identify and apprehend the perpetrator behind the seemingly random attacks. Kaczynski's meticulous planning and ability to evade capture for so long made the case one of the most challenging and high-profile investigations in FBI history.

Ted Kaczynski's early life and education as a mathematician

Born in 1942 in Chicago, Illinois, Ted Kaczynski showed exceptional intellectual abilities from a young age. He excelled academically and was accepted into Harvard University at the age of 16. After completing his undergraduate studies, Kaczynski pursued a career in mathematics, earning a Ph.D. from the University of Michigan in 1967.

The radicalization of Ted Kaczynski and his descent into domestic terrorism

Despite his academic achievements, Kaczynski's worldview took a radical turn in the late 1960s and early 1970s. Disillusioned with modern society and its reliance on technology, he began to develop a deep-seated antipathy towards the perceived erosion of human freedom and the destruction of the natural environment.

In 1971, Kaczynski abandoned his academic career and retreated to a remote cabin in the Montana wilderness, where he lived a simple, self-sufficient life. It was during this period that he began to plan and execute his bombing campaign, targeting individuals and organizations associated with modern technology and industrialization.

Ted Kaczynski's manifesto and criticism of technology

In 1995, Kaczynski sent a 35,000-word manifesto titled "Industrial Society and Its Future" to several media outlets, outlining his critique of modern society and its reliance on technology. The manifesto argued that technological progress had led to the erosion of human freedom, the destruction of the natural environment, and the creation of an oppressive, alienating society. Kaczynski's manifesto resonated with some individuals who shared his concerns about the negative impacts of technology, while others viewed it as a disturbing justification for his violent actions.

Ted Kaczynski's connection to LSD and its influence on his ideology

One of the lesser-known aspects of Kaczynski's life is his connection to the psychedelic drug LSD. In the early 1960s, while a student at Harvard, Kaczynski participated in a controversial psychology experiment involving the administration of LSD and other mind-altering substances.

According to some researchers, Kaczynski's experiences with LSD may have played a role in shaping his worldview and contributing to his eventual radicalization. The documentary THE NET: THE UNABOMBER, LSD, AND THE INTERNET by Lutz Dammbeck explores this connection, suggesting that Kaczynski's exposure to LSD may have influenced his perception of technology and its potential dangers.

Watch the documentary THE NET: THE UNABOMBER, LSD, AND THE INTERNET on Sooner to gain a deeper understanding of the potential link between Kaczynski's experiences with LSD and his subsequent ideological development.

The role of the internet in Ted Kaczynski's actions and beliefs

Ironically, despite his vehement opposition to modern technology, Kaczynski's actions were profoundly influenced by the emergence of the internet. The widespread dissemination of his manifesto online played a crucial role in raising awareness of his cause and garnering support from like-minded individuals.

Furthermore, the internet facilitated the exchange of information and ideas among those who shared Kaczynski's anti-technology sentiments, creating a virtual community that could potentially inspire further acts of domestic terrorism.

The documentary "The Net: The Unabomber, LSD, and the Internet" by Lutz Dammbeck

The 2003 documentary THE NET: THE UNABOMBER, LSD, AND THE INTERNET by German filmmaker Lutz Dammbeck explores the complex interplay between Kaczynski's experiences with LSD, his anti-technology ideology, and the role of the internet in amplifying his message.

The documentary delves into the controversial psychology experiments conducted at Harvard in the 1960s, where Kaczynski and other students were unknowingly administered LSD as part of a CIA-funded research program. Dammbeck suggests that these experiences may have contributed to Kaczynski's eventual radicalization and his rejection of modern technology.

Additionally, the documentary examines how the internet, a technology that Kaczynski vehemently opposed, paradoxically enabled the widespread dissemination of his manifesto and facilitated the creation of a virtual community of like-minded individuals.

The ongoing legacy and impact of Ted Kaczynski's ideas

Despite his incarceration, Ted Kaczynski's ideas and critiques of modern society continue to resonate with some individuals who share his concerns about the negative impacts of technology. His manifesto has been widely circulated online and has inspired numerous discussions and debates surrounding the role of technology in shaping human existence.

While Kaczynski's violent actions are universally condemned, his writings have sparked important conversations about the ethical implications of technological progress, the preservation of individual freedom, and the protection of the natural environment.

The story of Ted Kaczynski, the Unabomber, is a complex and multifaceted one, intertwining elements of brilliance, radicalization, and a deep-seated opposition to modern technology. His connection to LSD and the potential influence it had on his worldview adds another layer of intrigue to an already fascinating and disturbing tale.

As society continues to grapple with the rapid pace of technological advancement, Kaczynski's ideas and critiques serve as a cautionary reminder of the potential consequences of unchecked progress and the importance of striking a balance between innovation and the preservation of human freedom and the natural environment.

While his violent actions are inexcusable, Kaczynski's story underscores the need for ongoing dialogue and critical examination of the role of technology in shaping our world. Only through open and honest discourse can we hope to navigate the complexities of the modern age and ensure that technological progress serves the greater good of humanity and the planet we call home.

Das Netz. Unabomber, LSD & Internet auf Sooner ansehen

In a world where films are far more than mere entertainment, "Quiet on Set", a masterpiece by Norwegian director Petter Holmsen, clearly stands out.

Quiet on Set: A masterpiece by Petter Holmsen

In a world where movies are far more than mere entertainment, QUIET ON SET, a masterpiece by Norwegian director Petter Holmsen, clearly stands out. This impressive production delves into the dark days of the Second World War, a time when snow was more than just a winter wonderland; it became the canvas of silence on which soldiers enacted their fate. "Quiet on Set" promises not only a gripping narrative full of suspense and drama, but also a fascinating insight into the skills and challenges of film production under extreme conditions.

This article looks at various aspects of QUIET ON SET. From the detailed discussion of the film's production and unique background to the development of the characters and their relevance, it offers insights that may be of interest to film enthusiasts and critics alike. Furthermore, we consider the significant role this film plays in the film industry and its influence on the portrayal of historical events. Finally, we summarize what makes QUIET ON SET an unforgettable film and where to watch this extraordinary flick, whether by finding information on QUIET ON SET where to watch or watching the QUIET ON SET trailer.

The production of QUIET ON SET is characterized by an impressive variety of locations, ranging from historical sites to modern cities Of particular note is the filming in the Scottish Highlands and iconic locations from the Harry Potter universe, creating an atmosphere that is both mystical and realistic These locations not only provide a visual splendor, but also a deep connection to the narrative that runs throughout the film

The choice of locations was crucial to the authenticity and emotional depth of the film The Scottish Highlands, known for their breathtaking landscapes and historic castles, serve as the backdrop for some of the film's most dramatic scenes These natural and culturally rich environments enhance the intensity of the action and foster an immersive experience for the audience

The production design of QUIET ON SET pays homage to the World War II era, with meticulously recreated sets and costumes that authentically reflect the period Every detail, from the military uniforms to the period building interiors, has been carefully selected to ensure historical accuracy and enhance the emotional impact of the story The use of original locations along with carefully crafted movie sets creates a convincing world that transports the viewer directly to the time of war

Kjell, a former policeman wrongly convicted of murder, and Rakel, a dedicated lawyer who wants to prove his innocence, are the central characters in QUIET ON SET Their relationship develops from a purely professional collaboration into a deep emotional bond This complex dynamic is characterized by trust and mutual support, which intensifies the intensity of their interactions

The actors' portrayal of Kjell and Rakel shows impressive character development Over the course of the film, both undergo significant changes that shape their personalities and their relationship with each other The authentic and convincing acting plays a key role in making this development believable and engaging the audience emotionally

Petter S. Holmsen's QUIET ON SET has made significant waves in the film industry, not only for its artistry, but also for the way it addresses controversial issues The film sheds light on critical aspects within the film industry that are often swept under the carpet, particularly the treatment of young actors

QUIET ON SET uses a metafictional narrative approach to shed light on the behind-the-scenes realities of the film world This approach allows the audience to connect more deeply to the events depicted by blurring the lines between fiction and reality Portraying heavy topics such as abuse in the film industry through the lens of a short film offers a new perspective and encourages discussion and reflection on the responsibilities of media makers

By boldly tackling controversial topics, QUIET ON SET may have paved the way for future film projects that dare to address similar issues Documenting and addressing real grievances in the entertainment industry through film could lead to increased sensitivity and a different approach in future productions This approach could usher in a new era of film production in which transparency and ethical considerations play a greater role

With QUIET ON SET, Petter Holmsen has not only created a captivating masterpiece that captures the horrors of war and the complexity of human relationships, but has also made a significant statement in the film industry By artfully combining historical authenticity, in-depth character studies and a critical reflection on film production under difficult conditions, the film allows the audience to understand more deeply both the story being told and the underlying reality of the art of filmmaking This unique interweaving of fiction and reality impressively underscores the power of cinema to address and raise important issues

The relevance of QUIET ON SET extends far beyond its runtime by stimulating discussions about ethical issues in the film industry while also pointing the way forward for future film projects Through its bold inclusion of controversial topics and innovative storytelling, the film sets the standard for a new era of film production that could be characterized by greater transparency and ethical awareness As such, "Quiet on Set" remains not only an impressive artistic achievement, but also a significant catalyst for change and discussion in the world of film

Edgy, uncomfortable, rebellious – Pola Beck's female characters and freedom in short films? We talked to her about how she got into film, which topics she keeps coming back to and why rebellious female characters repeatedly appear in her work.

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