
Master Game
1998 | 106 min | Documentary
In the 1990s, Austria was rocked first by paint attacks on paintings and later by bomb attacks on galleries.


1998 | 106 min | Documentary
In the 1990s, Austria was rocked first by paint attacks on paintings and later by bomb attacks on galleries.

2023 | 30 min | Documentary
Hometowns, neighborhoods, community spirit, energy security and a lot of money are at stake here.

2015 | 164 min | Documentary
A film about funny and serious games, therapies of re- and self-re-education as well as the history of ideas of the permanent revolution.

1990 | 44 min | Icons & Media Art
The story of Hercules is well-known: son of Zeus and Alcmene, hero and god, famous for his twelve labours.

2003 | 121 min | Documentary
Unabomber Ted Kaczynski: The truth won’t fit into a Netflix series.

1986 | 47 min | Icons & Media Art
REALFilm is Lutz Dammbck's examination of film and filmmaking, a film in real time, a collage in space involving the audience.

2006 | 22 min | Icons & Media Art
In a revolutionary act of artistic freedom, a group of artists occupied a trade fair building in Leipzig in 1984.

1983 | 91 min | Documentary
Franz West (1909-85) remembers his youth in Vienna: the diverse Jewish population the Red Vienna labor movement and the rise of Austrofascism.

2022 | 72 min | Documentary
What God did Bach believe in and what was the nature of his spirituality? Did it transcend the confines of his Protestant upbringing?

2018 | 94 min | Documentary
Where does artistic freedom begin and where does it end? And, does art actually still need artists?

2009 | 79 min | Documentary
Unemployment... Helmut and Sieglinde are over fifty and already considered unemployable. What about young people trying to find work?

2005 | 35 min | Icons & Media Art
Lutz Dammbeck talks with Peter Lamborn Wilson (Hakim Bey) about the T.A.Z., Ted Kaczynski, Islam, Marvin Minsky, Cusanus and natural philosophy.

1993 | 92 min | Documentary
How does a highly talented artist end up in the vicinity of a totalitarian regime? What responsibility does art bear in political systems?