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Heinz Emigholz

Director
Heinz Emigholz is a German filmmaker known for his unique visual style and experimental approach to cinema. He has directed numerous films, including "Schindler's Houses," "The Basis of Make-Up I-III," and "The Airstrip - Decampment of Modernism." Emigholz has received critical acclaim for his work and has been recognized with awards such as the German Film Critics Award and the Berlin International Film Festival's Caligari Film Prize.

Films

Perret in France and Algeria

Perret in France and Algeria

By Heinz Emigholz

2012 | 110 min | Documentary

Documentary filmmaker Heinz Emigholz sketches a biography of the French architects and civil engineers Auguste and Gustave Perret and their buildings.

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From the West

From the West

2016 | 61 min | Documentary

The camera glides its way through Germany, or more precisely through West Germany, passing by house facades, highway exits, and miniature golf courses. The idea that "West" is more than just a point on the compass is Juliane Henrich's starting point for an essayistic journey through her personal past and the past of German society as a whole.

Towards Jerusalem

Towards Jerusalem

1990 | 85 min | Documentary

The film moves from the lights of Tel Aviv discos to the immigrant housing of Ethiopians to the burial site of Samuel the Prophet, capturing the voices and vistas of contemporary Israeli culture and politics.(National Center for Jewish Film) "An expressive overview of Israel in 1990" (Süddeutsche Zeitung) What became of the dream of a Jewish homeland? In this documentary road movie, Austrian filmmaker Ruth Beckermann records the diverse views and activities of Israelis and Arabs as she travels ...

In The Future They Ate From The Finest Porcelain

In The Future They Ate From The Finest Porcelain

2015 | 29 min | Icons & Media Art

IN THE FUTURE THEY ATE FROM THE FINEST PORCELAIN resides in the cross-section between sci-fi, archaeology and politics. Combining live motion and CGI, the film explores the role of myth for history, fact and national identity. A self-proclaimed narrative resistance group makes underground deposits of elaborate porcelain – suggested to belong to an entirely fictional civilization. Their aim is to influence history and support future claims to their vanishing lands.

Kabatas | Fillmore | Atlanten

Kabatas | Fillmore | Atlanten

2013 | 13 min | Icons & Media Art

Yalda Afsahs 3-film-series superimposes fleeting insights into the inner workings of the building spaces of the private and the public, of intimacy and spectacle. In KABATAS, the viewer’s gaze is directed by the movement of the wind occasionally lifting a plastic veil of an Istanbul building. Shot in San Francisco, FILLMORE is a continuation of Yalda Afsah’s close observations of urban spaces. ATLANTEN, shot in Berlin, shows two parts of a viaduct breaching out of a corner building otherwise ...

Ben Berlin

Ben Berlin

2015 | 90 min | Biography

He sat in the cafeteria with Bertolt Brecht, fed elephants with Willy Brandt, argued with Joseph Beuys about oak trees, and phoned Mikhail Gorbachev in the Kremlin. Performance artist, environmental activist, natural philosopher, gallery owner, tree godfather and "anarchist" Ben Wagin, aka BEN BERLIN, has left his mark on the city of Berlin with his controversial style. BEN BERLIN by Sobo Swobodnik and Pantea Lachin steps calmly and observantly into the realm of the 86-year-old artist Ben Wagin. ...

GDR Experimental: Metamorphosis 1

GDR Experimental: Metamorphosis 1

1978 | 6 min | Icons & Media Art

In 1976, Lutz Dammbeck and five Leipzig artists conceived the interdisciplinary exhibition “Tangente I”, which was intended to serve as a platform for experimental art forms in the GDR. The focus was on collaborative works combining various media such as painting, film and installation. However, before the exhibition could be realized, it was banned by the authorities in 1977 – a typical fate for avant-garde art in the GDR that operated outside the state-regulated framework. Dammbeck did not let ...

This is what it looks like

This is what it looks like

1984 | 5 min | Shorts

This unique architectural documentary shows both the apartment's interior, with its art posters, dishes strewn across the kitchen table and leafy plants as signifiers of a non-conformist lifestyle, as well as views of the courtyard and street. The studio's inhabitant remains unseen but is present through the point of view cinematography. The International Building Exhibition (IBA) awarded the film its prize for its creative use of cinema in exploring urban space and lifestyle. The short experimental ...

Vera Lossau - What I See

Vera Lossau - What I See

2012 | 65 min | Documentary

A documentary about the Düsseldorf artist Vera Lossau. How does an artistic idea develop and how is it translated into a work of art? Wolfgang Waldmann accompanies the artist for a year and portrays her creative process in a video diary. The creativity of the artist is under pressure: expectations and the growing dictatorship of art market rules are beginning to threaten her work. Vera Lossau addresses these conflicts and finds ways to integrate them into her artistic process. The Cologne composer ...

Nation Estate

Nation Estate

2012 | 9 min | Icons & Media Art

A vertical solution to the Israeli-Palestinian conflict has been found for the political deadlock in the Middle East. Palestinians have their state in the form of a skyscraper. The building is called the NATION ESTATE. One colossal high-rise houses the entire Palestinian population – who are now finally living 'the high life'. Each city has its own floor: Jerusalem on the third floor, Ramallah on the fourth floor, Sansour’s native Bethlehem on the fifth and so on. Intercity trips previously marred ...

Tlatelolco

Tlatelolco

2011 | 75 min | Documentary

Lotte Schreiber's documentary illuminates the history of Mexico City by looking at a housing complex in the capital – an epicenter of Mexican cultural history. The Nonoalco Tlatelolco housing complex at the Plaza de las tres Culturas in Mexico City is a vertical city built by modernist architect Mario Pani in the early 1960s as a modern utopia for 72,000 inhabitants. As early as 1521, the Aztecs faced off against the Spanish conquerors at this site. Bloody student protests followed in 1968 and ...