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Marco Hofschneider

Actor
Marco Hofschneider has been making his mark on German and international auteur cinema since the 1990s with his precise, versatile performances. His acting combines quiet intensity with a clear presence, allowing him to develop characters credibly through inner tensions. In addition to his work in cinema, he also appears in TV productions and remains visible through his consistent choice of roles in dramatic material. Among his most influential works is DIE HAUT DER ANDEREN (2018, directed by Thomas Stiller), a psychologically charged drama in which he complements the ensemble with an ambivalent character. Hofschneider previously gained international recognition for his leading role as Sally Perel in Hitlerjunge Salomon (1990, directed by Agnieszka Holland); the film was released worldwide and won numerous awards, marking his breakthrough. This profile—between sophisticated contemporary cinema and character-driven television—shows an actor who consistently illuminates complex roles and gives them lasting contour.

Films

The Skin of Others

The Skin of Others

By Thomas Stiller

2018 | 112 min | Drama

Despite its disarmingly strange erotic scenes, The Skin of Others is a deeply romantic love story.

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Therapie

Therapie

2016 | 120 min | Thriller

Alia is fresh out of prison and has to undergo therapy and keep a video diary. But her therapist doesn't seem to have the best of intentions. Felix Charin, co-author for the series 4 Blocks, worked for six months in a youth detention center in Berlin to research his feature film debut THERAPIE. In this gripping psychothriller, the boundaries between normality and illness blur. Alia (Taneshia Abt) is released from prison after five years of juvenile detention. However, she must undergo a court-prescribed ...

The Dreamed Ones

The Dreamed Ones

2016 | 89 min | Documentary

The correspondence between Ingeborg Bachmann and Paul Celan forms the basis of the text. The story begins in Vienna in 1948, when she is 22 and he 27, and ends with Celan's suicide in 1971 in Paris. Two young actors, Anja Plaschg and Laurence Rupp, meet in a recording studio to read from their correspondence. The dramatically fluctuating feelings of the letters - between intoxication and fear of loss, delight and horror, closeness and strangeness - are passed on to the actors.