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Natalia Babintseva

Director
Natalia Babintseva is a talented director known for her work in independent films. She gained recognition for her unique storytelling and visual style. Some of her notable works include "The Hidden Truth" and "Broken Wings." Despite not having won major awards, Babintseva continues to impress audiences with her thought-provoking narratives and impactful storytelling.

Films

Museum Revolution

Museum Revolution

By Natalia Babintseva

2014 | 76 min | Documentary

After the Maidan protests in Kyiv ended, "the revolution's objects started a second life" ... in museums

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MansFeld

MansFeld

2013 | 98 min | Documentary

Tom, Sebastian and Paul are children from very different families. They live in a small village in Mansfelder Land, an area marked by the decline of mining. However, an archaic custom has remained over the centuries and the three boys play a crucial role in it. For director Mario Schneider, MANSFELD, after HELBRA, and HEINZ UND FRED, represents the conclusion of his documentary trilogy about life in Mansfelder Land on the eastern edge of the Harz Mountains. "What distinguishes the film is the closeness ...

Fortuna Valentyn

Fortuna Valentyn

2022 | 65 min | Documentary

Ever since the Euromaidan revolution in 2014, Valentyn's life has been moving in heavy swell. In his hometown of Romny, in the east of Ukraine, he is fighting against corruption, and so against the strongest powers in the country. When Valentyn needs a break, he prepares for his third attempt to cross the Black Sea in his self-built kayak.

Duerer’s Heirs

Duerer’s Heirs

1996 | 58 min | Documentary

"It cannot be said more coarsely and more precisely: in the GDR, German painting is more German…" was the opinion of the writer Günter Grass at the beginning of the 1980s. The fall of the Wall in 1989 made it possible to take a closer look at this ‘German’ painting of the faded GDR. At the centre of the film is a group picture. The picture was taken in the early 1960s in Leipzig, a field of experimentation and testing for a 'new German realism' under socialist conditions. What connects the founders ...

Schlingensief – A Voice That Shook the Silence

Schlingensief – A Voice That Shook the Silence

2020 | 124 min | Biography

With his "Heimatfilmen," his performances and interventions in theater, television, opera and art, director Christoph Schlingensief has helped shape cultural and political discourse in Germany for over two decades. In her masterfully edited and immensely entertaining directorial debut, renowned film editor Bettina Böhler portrays this exceptional artist in his entire spectrum. The film focuses Schliingensief as a typical "family person", whose work is equally devoted to his interpersonal relationship ...

Moments of Resistance

Moments of Resistance

2019 | 99 min | Documentary

Politically engaged women of today respond to the voices of historical resistance to National Socialism and make connections to current events. This film weaves together current and historical portraits of women to create a multi-voiced collage of resistance spanning several decades. "In my family there were active Nazis and those who remained silent, as well as a resistance fighter and a concentration camp survivor. When I started this film in 2014, I wanted to make something about resistance ...

After the Future

After the Future

2017 | 47 min | Documentary

Gay left-wing activist and disaster relief volunteer Ortwin Passon navigates between a military-like bourgeois world and wild sex parties. For a while now, he has been writing a dissertation on barebacking (anal sex without condoms) and the political and judicial implications of unprotected intercourse among men in Germany. Passon, who is HIV-positive, wants to obtain a legal demarcation between "unreflective risk behavior without intent" (unsafe sex) and "intentional, risk-conscious, consensual, ...

GDR Experimental: First Leipzig Autumn Salon

GDR Experimental: First Leipzig Autumn Salon

2006 | 22 min | Icons & Media Art

In 1984, the artists Lutz Dammbeck, Günter Firit, Hans Hendrik Grimmling, Frieder Heinze, Günter Huniat and Olaf Wegewitz occupied a trade fair building in the center of Leipzig to stage one of the first independent and public exhibitions in the GDR – the 1st LEIPZIGER HERBSTSALON. The event was an act of resistance against the GDR's system of state control and a creative form of self-assertion. The artists defied the restrictive guidelines of cultural policy and created an autonomous space for avant-garde, ...

Yugoslavia – How Ideology Moved Our Collective Body

Yugoslavia – How Ideology Moved Our Collective Body

2013 | 62 min | Documentary

Tracing changes in the social system from socialist Yugoslavia to Serbia, the film looks at how ideology performed itself in public space through mass performances. For this research-based essay film Popivoda collected and analyzed film and video footage from the period of Yugoslavia (1945 – 2000), focusing state performances such as youth work actions, May Day parades, celebrations of the Youth Day, as well as counter-demonstrations, in particular the 1968 student demonstrations, the civic demonstrations ...

Im inneren Kreis

Im inneren Kreis

2017 | 83 min | Documentary

For years, Iris P., alias "Iris Schneider", investigated the left-wing scene and the "Rote Flora" in Hamburg until her exposure in the media in 2014. A few months later, two other undercover detectives in Hamburg were uncovered: Maria B. (cover name "Maria Block") and Astrid O. (alias Astrid Schütt). What are the consequences of surveillance for the individual and for society as a whole? How free are people who are under surveillance?

How to Shoot a President?

How to Shoot a President?

1991 | 34 min | Icons & Media Art

How does one film a dictator? Klaus Dörrie created a fascinating historical document about the Polish General Jaruzelski, the last Polish president not elected democratically. Jaruzelski imposed martial law in Poland in 1981 and was forced to resign in 1990. The advisors of the last communist Polish president thought they would get director Klaus Dörries to shoot a propaganda film about President Jaruzelski. But Dörries outsmarted them with his cameras by filming behind the scenes and showing, ...