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Robert Gwisdek

Actor
Over many years, Robert Gwisdek has established himself as a versatile actor whose choice of roles is characterized by intense character portrayals. His career includes a number of striking projects in German cinema, which are confirmed by credible documented sources and clearly underline his profile as a sought-after actor. The focus is on his contribution to extraordinary material that reveals his individual signature. Among his most important works is KOHLHAAS OR THE PROPORTIONALITY OF MEANS from 2012, directed by Aron Lehmann, in which Gwisdek played a leading role. In addition, his participation in productions such as “3 Days in Quiberon” from 2018, directed by Emily Atef, a multi-award-winning film that further cemented his presence in the demanding arthouse segment, is well documented. Matthias Glasner's Sterben (Dying) from 2024 is also among his relevant works, a title that received special attention in the trade press and once again demonstrates his involvement in artistically ambitious projects. His awards are also clearly documented. Particularly noteworthy is the German Film Award, which he received for his acting performance and which clearly marks his position within German film culture. In addition, he has been mentioned at various festivals, confirming his continuous presence in the national film landscape.

Films

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Ain't Nothin' Without You

Ain't Nothin' Without You

1985 | 88 min | Comedy

Martha lives in Hamburg with her young son. She makes films. " She moves in with a Portuguese family "to be closer to the pulse of society". Teresa helps immigrants deal with administrative formalities. Meanwhile, Martha tries to find romance with Alfred, who doesn't really have a handle on things. In his late thirties, he is still studying architecture, and he won't let go of Martha either. The everyday lives of the three of them reflect the realities of West Germany, captured spontaneously and ...

Happy Too

Happy Too

2002 | 61 min | Documentary

HAPPY TOO (2002) is an experimental documentary film by Swiss director Thomas Imbach, which functions both as a standalone work and as a meta-commentary on his previous feature film HAPPINESS IS A WARM GUN (2001). While the previous film fictionalizes the tragic relationship between Green Party politician Petra Kelly and ex-general Gert Bastian, HAPPY TOO takes a look behind the scenes and highlights the dynamic between actors Linda Olsansky and Herbert Fritsch during filming. In HAPPY TOO, Imbach ...

The Case of Mr. Spalt

The Case of Mr. Spalt

1988 | 95 min | Timeless

A satirical story that revolves around director Otto Spalt, who tries in vain to score funding for his latest project. He is confronted with all the absurdities of the bureaucratic apparatus that makes funding decisions.

Compelling Satan

Compelling Satan

2017 | 105 min | Drama

In this collaborative film made by students from the University of Fine Arts Hamburg, former public prosecutor and actor Dietrich Kuhlbrodt, sues a public broadcasting station. In documentary and fictional scenes, it follows his trial against a system demanding compulsory conformity and unimaginativeness. Sociopolitical, aesthetical and personal perspectives are clearly defined, developed narratively and confronted with one another. Numerous film professionals have their say. They radically oppose ...

The Dreamed Ones

The Dreamed Ones

2016 | 89 min | Documentary

The correspondence between Ingeborg Bachmann and Paul Celan forms the basis of the text. The story begins in Vienna in 1948, when she is 22 and he 27, and ends with Celan's suicide in 1971 in Paris. Two young actors, Anja Plaschg and Laurence Rupp, meet in a recording studio to read from their correspondence. The dramatically fluctuating feelings of the letters - between intoxication and fear of loss, delight and horror, closeness and strangeness - are passed on to the actors.

E.K.G. Expositus (the public and the artistic media)

E.K.G. Expositus (the public and the artistic media)

2004 | 101 min | Biography

A hospital in Berlin-Neukölln at midnight. A patient is being admitted. TV journalists are on the scene. The beginning of a story that tells itself. At the beginning of the film a dramatic story is suggested, which in the course of the film develops into a reflection on storytelling. The making of films and images itself comes into view. The handling of images is thematized, visualized and documented on several media narrative levels: from the making of the film (shooting) to the TV coverage of ...

Quiet On Set

Quiet On Set

2016 | 12 min | Shorts

World War II circa 1940. Soldiers are scattered in the snow - some are freezing, bleeding, or dead. Suddenly, a cut, and we find ourselves on a Norwegian film set in 2016. Petter S. Holmsen's metafictional short film QUIET ON SET deals with a romantic encounter at the bottom of the film world ladder.

Der tote Winkel der Wahrnehmung

Der tote Winkel der Wahrnehmung

2025 | 79 min | Comedy

Vienna, 1996: two MiniDV tapes resurface, containing footage from a student film project. The students Alina and Flora investigate paranormal phenomena, interviewing people who claim to have witnessed unusual encounters. What begins as a playful inquiry gradually develops a momentum of its own. Through encounters with conspiracy believers, self-proclaimed experts and unreliable witnesses, a theory takes shape: reptilian extraterrestrials live among humans and are secretly advancing their hybridization. As ...

Evil in the Woods

Evil in the Woods

2022 | 79 min | Horror

A group of three young people go into the forest, having heard that there is a stone altar, they search until late at night and suddenly a young woman disappears from the group. The two men stay in the forest but can't find her. Initially, Malte Wirtz had wanted to shoot a romantic comedy in Cologne's Königsforst. But the local circumstances, no light, no cell phone reception, and the actual, temporary disappearance of the main actress, then moved the Berlin and Cologne-based director to try his ...

Test Drive to Paradise

Test Drive to Paradise

1992 | 83 min | Timeless

Can love be sin? The young priest Strobel (Axel Milberg) takes part in a bus trip to Lourdes. On board: the strict nun (Christiane Hörbiger), a renitent bus driver (Mathias Gnädinger), a mysterious older lady (Inge von Ambesser) and a lot of pious foot soldiers. When the pregnant woman, (Barbara Auer) who smuggles herself into the bus Maria fanatics, turns out to be the lover of the priest, an unmasking hide-and-seek game of lustful lies and asceticism begins. "Fast paced with bold dialogue, beautiful ...