Ferien

Four generations meet at a country house. Scenes of veiled jealousy and open teasing, candid confessions and fisticuffs, crack the thin veneer of an idyllic summer vacation. "I wanted to make a film without flashy dramaturgical momentum. I was concerned with finding a balance between the individual storylines and setting them in motion over the course of the film. All the characters who are struggling have only one life. They're all trying to be happy, but they don't know how to do it. It's a long, slow drop to recognition." (Thomas Arslan)